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Hetman/Black Heart/2022 Full Length Review

vendredi 11 novembre 2022 à 05:03

 


  Hetman  are  a  solo  project  from  Ukraine  that  has  had  music  reviewed  before  in  this  zine  with  their  previous  album  being  more  rooted  in  a  black  metal  style  and  on  this  recording  plays  a  folk  and  ethnic  music  influenced  form  of  pagan  metal  with  some  blackened  touches    and  this  is  a  review  of  his  self  released  2022  album  "Black  heart"  which  will  be  released  in  December.


  Melodic  riffing  starts  off  the  album  along  with  some  angry  shouts  a  few  seconds  later  while  the  solos  and  leads  also  add  in  a  lot  of  melody.  Folk  instruments  can  also  be  heard  in  certain  sections  of  the  recording  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.


  Clear  pagan  vocals  can  also b e  heard  at  times  while  acoustic  guitars  can  also  be  heard  on  some  of  the  tracks.  Some  of  the  vocals  also  add  in  a  grim  black  metal  approach  along  with  the  faster  sections  of  the  songs  also  adding  in  a  decent  amount  of  blast  beats  and  some  of  the  tracks  are  also  very  long  and  epic  in  length.


  Nature  sounds  are  also  added  on  some  of  the  tracks  along  with  the  music  also  being  a  lot  less  black  metal  influenced  than  the  previous  release  reviewed  in  this  zine  as  well  as  one  song  also  adding  in  a  brief  use  of  whispered  vocals,  death  metal  growls  can  also  be  heard  briefly  and  most  of  the  album  sticks  to  either  a  slow  or  mid  tempo  direction.  The  production  sounds  very  professional  while  the  lyrics  cover  the  call  of  people  to  humanity  and  defense  of  nature- forests,  lakes  and  rivers  from  pollution  and  destruction.


  In  my  opinion  this  is  another  decent  sounding  recording  from  Hetman  and  while  some  black  metal  fans  might  not  like  the  new  direction,  I  can  see  this  album  appealing  more  to  fans  of  folk  and  melodic  pagan  metal.  RECOMMENDED  TRACKS  INCLUDE  "Rusty  nail"  "Breathe"  "Dawn,  Eyes  of  Spring  Night"  and  "White  Threads,  black  needles".  7/5  out  of  10.


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Source : http://occultblackmetalzine.blogspot.com/2022/11/hetmanblack-heart2022-full-length-review.html


Astarium/Furies/NitroAtmosfericum Records/Masters Of Kaos/2022 Single Review

jeudi 10 novembre 2022 à 04:54

 


  Russia's  solo  project  Astarium  has  returned  with  a  new  recording  which  shows  the  music  going  for  more  of  an  ambient,  atmospheric,  old  school  and  symphonic  style  of  black  metal  with  some  neo-classical  touches  and  this  is  a  review  of  his  2022  single  "Furies"  which  was  released  as  a  joint  effort  between  NitroAtmosfericum  Records  and  Masters  Of  Kaos.


  Ritualistic  chants  and  dark  soundscapes  start  off  the  track  which  is  also  over  16  minutes  in  length  before  going  into  a  heavier  direction.  When  synths  are  added  into  the  music  they  also b ring  in  some  ambient,  neo-classical  and  symphonic  elements  while  the  song  also  has  its  atmospheric  moments.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  spoken  word  parts  can  also  be  heard  briefly.  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast b eats  can  be  heard  which  also  gives  the  song  more  of  a  raw  feeling  along  with  the  vocals  being  mostly  grim  sounding  black  metal  screams.


  A  lot  of  the  music  is  also  very  heavily  influenced  by  the  90's  era  along  with  the  song  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  some  of t he  drum b eats  also  being  programmed.  The  production  sounds  very  raw  and  old  school  while  the  lyrics  cover  Occultism  and  UFO  themes.


  In  my  opinion  this  is  another  great  sounding  track  from  Astarium  and  if  you  are  a  fan  of  ambient,  atmospheric,  old  school  and  symphonic  black  metal  with  some  neo-classical  touches,  you  should  check  out  this  single.  8  out  of  10.

  

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Source : http://occultblackmetalzine.blogspot.com/2022/11/astariumfuriesnitroatmosfericum.html


Snøgg/Meltdown/Terraformer Research Facilities/2022 Full Length Review

jeudi 10 novembre 2022 à 04:24

 


  Slovenia's  duo  Snøgg  has  returned  with  a  new  recording  which  shows  the  music  going  fore  more  of  an  experimental  style  of  black  metal  and  this  is  a  review  of  their  2022  album  "Meltdown"  which  will  be  released  on  November  18th  by  Terraformer  Research  Facilities  and  consists  mostly  of  re-mixed  songs  from  previous  releases.


  A  very  distorted  yet  heavy  sound  starts  off  the  album  while  the  riffs  also  add  in  a  decent  amount  of  melody.  Vocals  are  mostly  grim  sounding  black  metal  screams  along  with  some  power  electronics  and  noise  also  being  added  in  the  background  at  times  and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard.


  When  tremolo  picking  is  added  into  the  faster  riffing  they  also  give  the  songs  more  of  a  raw  feeling  while  the  music  also  has  its  atmospheric  moments.  At  times  the  album  also  gets  very  experimental  sounding  along  with  all  of  the  tracks  also  being  very  long  and  epic  in  length  and  spoken  word  parts  are  also  utilized  briefly.    


  Clean  playing  can  also  be  heard  in  certain  sections  of  the  recording  along  with  the  songs  also adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  Ambient  style  synths  are  also  added  on  some  of  the  tracks  as  well  as  some  growls  also  being  utilized  at  times  and  melodic  chants  are  also  added  on  the  closing  track.  The  production  sounds  very  dark,  raw  and  lo-fi  while  the  lyrics  cover  the  6  areas  of  the  Earth  that  are  mostly  covered  in  snow.

  In  my  opinion  this  is  another  great  sounding  recording  from  Snøgg  and  if  you  are  a  fan  of  experimental  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Artica' and  "Antarctica".  8  out  of  10.


  https://www.facebook.com/Snoggband

https://www.instagram.com/snoggband

https://snogg.bandcamp.com/album/meltdown-remixes-by-s0n667 

 “Arctica”      

Source : http://occultblackmetalzine.blogspot.com/2022/11/snggmeltdownterraformer-research.html


Krvna/For Thine Is The Kingdom Of The Flesh/Third Eye Temple/Ancient Dead Productions/2022 Full Length Review

mercredi 9 novembre 2022 à 05:57

 


  Krvna  are  a  band  from  Australia  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  very  atmospheric  and  vampyric  form  of  black  metal  and  this  is  a  review  of  their  2022  album  "For  Thine  Is  The  Kingdom  Of  The  Flesh"  which  will  be  released  in  December  as  a  joint  effort  between  Third  Eye  Temple  and  Ancient  Dead  Productions.


  Choirs  start  off  the  album  before  going  into  a  heavier  direction  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  faster  sections  of  the  songs  also  add  in  a  great  amount  of  tremolo  picking  and  blast  beats  which  also  gives  the  music  more  of  a  raw  feeling.


  All  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  At  times  the  music  also  gets  very  atmospheric  sounding  along  with  all  of  the  musical  instruments  on  the  album  also  having  a  very  powerful  sound  to  them.


  Clear  vocals  can  also  be  heard  in  certain  sections  of  the  recording    along  with  some  songs  also  adding  in  a  small  amount  of  clean  playing  and  acoustic  guitars.  The  riffs  also  add  in  a  lot  of  melody  as  well  as  the  choirs  taking  even  more  of  a  darker  direction  when  they  make  a  brief  return.  The  production  sounds  very  professional  while  the  lyrics  cover  Vampirism,  Immortality,  Existential  Dread,  and  Transubstantiation  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Krvna  and  if  you  are  a  fan  of  atmospheric  and  vampyric  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "For  Thine  Is  The  Kingdom  Of  The  Flesh"  and  "In  The  Absence  Of  Gods...".  8  out  of  10.


  https://krvna.bandcamp.com/track/for-thine-is-the-kingdom-of-the-flesh-2

www.facebook.com/krvnaofficial 

www.krvna.bandcamp.com        


      

Source : http://occultblackmetalzine.blogspot.com/2022/11/krvnafor-thine-is-kingdom-of-fleshthird.html


Gallóglaigh Interview

mercredi 9 novembre 2022 à 04:56

 

1.For those that have never heard of you before, can you tell us a little bit about the musical project?

 Black Metal in general has always been a passion of mine, but I could never find like minded musicians to write and play it with me, especially in southern Texas. We have quite a large death metal scene here, but very little black metal. That seems to be changing post COVID times though. Galloglaigh was born from an accidental riff I was writing for another project. I said to myself, “this riff has a very raw, sharp sound to it, I wonder if I did this or that with it” and before I knew it, I’d had about a 7 minute length track. I kept going and I had my first full length called “Sparth”. I’d hired a session vocalist as I can’t sing, but everything else you hear on that album is all me. I was ultimately unhappy with the end result. The vocalist put in his best, and I wrote some quality music but in the end it wasn’t the sound I was going for. That’s when inspiration for the second full length, “Luaith”, struck.


 2.So far this year you have released 2 full lengths, musically how do they both differ from each other?

 Sparth and Luaith are very different albums. Sparth walks a fine line between death metal and black metal, with a lyrical focus less on darker influences and more about war and the Galloglaigh warrior specific themes. I am proud of the release, but I am ultimately unhappy with the end result as it wasn’t really what I wanted to focus on. There are some quality tracks on the release, both with the vocal styles and musical compositions, but it isn’t what I wanted to represent the Galloglaigh name.

Luaith on the other hand takes the listener back through time, to the early 90s and the peak of the second wave of black metal. I don’t try to copy that sound, instead I use it as a foundation and sprinkle in new elements to produce my own vision. I wanted to, like so many others, pay tribute to early black metal groups like Mayhem, Dissection, Burzum, Von, Emperor, Immortal and so many more while harnessing the sounds they created to hone my own craft. I introduced extended ranges for my own personal tastes. I’m not in “djent”, metalcore, hardcore, or whatever you want to label those genres, but I appreciate the range of a 9 string guitar. Any and all writing I do for Galloglaigh is done on this instrument. 


3.What are some of the lyrical topics and subjects the band has explored so far with the music?

 As I write lyrics, I tend to focus on things that interest me. If I have little knowledge, I do research on it and I try to explore the darker side of whatever topic I may be focusing on. I feel the anti-religious/Satanic theme may be a little overdone in the black metal genre these days, but I also have absolutely nothing against these types of themes. I tend to focus on things such as medieval times, celestial beings, ancient times, etc.


4.One of the band members also goes by the name 'Beleth', do the band members also have some interest in occultism and demonology?

We may, or may not. We’ll leave that up to the listener’s imagination.


5.What is the meaning and inspiration behind the name 'Gallóglaigh'?

Galloglaigh literally translated means “foreign warrior”, specifically from the isle’s of Ireland and Scotland. I wanted to focus on themes from these areas as these warriors tend to be forgotten in favor of the Viking. Oddly enough, the Galloglaigh are extremely similar to the Vikings, so much so that they are considered to be norse-gaelics. I don’t claim to be an expert on the history of these warriors however, but what I do know interested me enough to start a musical project about them.


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The album cover stems from an idea I drew on a napkin. It features a fallen soldier that is reaching out to a void. The idea stems from the aforementioned forgotten warrior themes. On the right horizon, we can see a castle tower. This tower is one of seven. The themes of these towers will unfold in future releases. I commissioned an artist on a website to draw the final product for me and I could not be happier with his work.


7.Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?

Right now we’ll probably remain a duo. I was hesitant to expand to a duo initially because I sometimes find it harder to work with other people’s schedules. I like to write when inspiration strikes, which for 2022 seems to be all the time. When I commissioned Beleth for session vocals, I was completely blown away by his style. It really took no time for me to decide to ask him to become the permanent vocalist. I can do just about everything else but vocals, so it was a no brainer. 


8.On the new album you also had done a 'Behemoth' cover, what was the decision behind doing your own version of one of their songs?

I’m a fan of Behemoth, come at me bro. In all seriousness, I am a big fan of theirs and their album “The Satanist” has been in a permanent rotation for me since its 2014 release. I’ve always wanted to play a song of theirs but I feel like a lot of people that do cover their tracks tend to cover the same ones. “At the left hand ov God”, “Ov Fire and The Void”, “Demigod”, etc. I chose “Blow your trumpets” because I just love the track, plus the end with the actual trumpets was fun to recreate with guitars. 


9.Currently you are unsigned, are you looking for a label or have received any interest?

I do have some interest and I am keeping my options open, but so far any labels I’ve submitted to I have not heard back from yet.


 10.On a worldwide level how has the reaction been to your music by fans of black metal?

Quite well, I’m actually very surprised. I didn’t expect anyone to ever listen to these tracks, but when Luaith was featured on a prominent black metal youtube channel it just kind of took off from there. I don’t have the recognition of similar up and coming black metal acts yet and that is completely ok, we’ll get there.


11.Where do you see the band heading into musically during the future?

I want to grow the soundscape, I want to evolve where we need to. But I don't want to change. I wrote the sounds on Luaith with purpose, with reason. I don’t want to deviate from that too much, but I also don’t want to bore people.


12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Influences on my style: So many to list, but primarily Mayhem, Dissection, Immortal, Morbid Angel (fight me), Death (Fight me again), Gorgoroth, Mgla, Marduk, Dark Funeral to begin with.


Listening to these days: Behemoth, Belphegor, Vermilia, Blackbraid, Dissection, Batushka (Derph’s version), Drudkh, Archgoat, Inquisition


 13.Before we wrap up this interview, do you have any final words or thoughts?

I’d like to say thank you to all that support my music, well, our music going forward since I’ve brought Beleth onboard. It is great to know that there are people out there that care and actually want more. As long as you keep listening, we’ll keep writing. 


Keep black metal alive. Hails.


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Source : http://occultblackmetalzine.blogspot.com/2022/11/galloglaigh-interview_8.html