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Beautality/Einfallen: A Tale ov Torment & Triumph/Nordavind Records/2015 CD Review

vendredi 26 décembre 2014 à 04:22

  Beautality  are  a  duo  from  the  United  Kingdom  that  plays  an  atmospheric  form  of  post  black  metal  and  this  is  a  review  of  their     album  "Einfallen:  A  Tale  ov  Torment  &  Triumph"  which  will  be  released  by  Nordavind  Records  in  2015.

  Acoustic  guitar  playing  starts  off  the  album  and  they  bring  in  a  good  mixture  of  full  chords  and  open  note  finger  picking  and  a  few  second s later  clean  singing  vocals,  drums  and  melodic  guitar  leads  start  becoming  a  huge  part  of  the  music  before  adding  in  grim  black  metal  screams  and  you  can  hear  a  good  amount  of  post  rock  elements  throughout  the  tracks.

  Most  of  the  songs  are  very  long  and  epic  in  length  and  all  of  the  musical  instruments  have  a very  powerful  sound  to  them  and  at  times  spoken  word  parts  can  be  heard  in  certain  sections  of  the  recording  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  after  awhile  the  guitars  start  bringing  in  a  more  heavy  and  atmospheric  black  metal  sound  to  the  recording.

  At  time s the  music  does  go  into  more  of  a  fast  and  raw  black  metal  direction  along  with  a  decent  amount  of  blast  beats  while  the  main  focus  remains  more  on  a  melodic  and  atmospheric  post  metal  sound  which  also  brings  in  elements  of  darkwave  and  dream  pop  at  times  and  the  songs  also  bring  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  one  of  the  tracks  also  brings  in  a  small  amount  of melodic  chants  that  also  gives  the  music  a  pagan  metal  feeling  while  some  of  the  screams  bring  in  some  traces  of  depressive  black  metal  on  one  of  the  later  songs  and  on  the  last  track  you  can  also  hear  some  elements  of  doom  metal  in  the  slower  sections.

  Beautality  plays  a  style  of  post  black  metal  that  is  very  melodic  and  atmospheric  sounding  while  also  adding  in  a  good  amount  of  progressive  elements  and  influences  from  a  variety  of  many  different  genres  and  most  of  the  tracks  are  very  close  to  20  minutes  in  length,  the  production sounds  very  powerful  and  heavy  sounding  while  the  lyrics  are  a  concept  album  that  deals  with  both  the  mental  and  astral  planes.

  In  my  opinion  Beautality  are  a  very  great  sounding  atmospheric  post  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Devil's  Elixir"  and  "Messias".  8  out  of  10.


Source :

Apocryphal Voice Interview

vendredi 26 décembre 2014 à 01:51
1.Can you give us an update on what has been going on with the band these days?

- We have finalised the release of Pain & Pleasure with Inverse, after going through lenghty negotiation rounds with lots of labels. Our priority was to keep the copyright of the work to ourselves, which in today's music industry climate requires bands themselves to take the financial risk of release. We were also busy creating the cover artwork, which the drummer Ville ended up doing three versions of, although even the first version looked good to me.

And there's all these other bands we are involved in, such as 0xist and Sata Kaskelottia. Both of which have been doing number of live shows, and are preparing releases for new albums.

2.So far you have released a demo and 2 full length's, how would you describe the musical sound that is presented on the recordings?

- All releases have a different personality from one another. At least, that's our intention. When an album during its writing process reveals its direction it wants to head to, we explore that direction as far as we can. Of course, there will be unavoidable similarities between them. For example, in type of song structures, chords, and playing feel. But we have never chosen any particular "band concept" and stuck to it, perhaps a little to our detriment. Making music just for the sake of making music has never appealed to me.

Our first work, the demo/MiniCD The Sickening was all about unleashing all the musical weirdness I was getting into that time. The result is jagged uncomfortable oddball of an EP. The sound production, although done in a proper studio, ended up sounding very sterile digital and harsh, partly to my own blame. I nowadays get uncomfortable when anyone compliments the sound production on that release.

The full-lenght Stilltrapped is a bit easier on the ear on surface, but musically it's one of the most depressive albums ever made. That sounds like a big statement, but sitting through it really sucks the life force out of you. However, that was never the intention unto itself, but rather reflects the slow downward spiral I was personally trapped in. The sound production on it is somewhat interesting. We still didn't quite know what we were doing, but the sound ended up having this snow-storm-sweeping-over-desolate-field type of feel to it, which I have rarely heard in a non-black metal release.

Compared to Stilltrapped, this latest one, Pain & Pleasure, has a lot more energy and warmth to it. Both musically and sonically. There's some death metal influences which we previously didn't have, and all in all there's just more riffs going on. Sound is sought out to be earthy and muscular, although keeping the guitars tuned in standard E, as they were before. Still, the production sounds nicely different from the majority of modern metal production. Not so super clean and in-your-face, but more subtle and luring, letting the music do the talking.

3.The band has been around since 1999  but  so far only  has  a  demo  and  2  album's, can you tell us a little bit more about the gap between releases?

- Like I said, I have never sought out activity just for the sake of activity, like so many other bands do. I want the musical ideas to be strong and timeless. For that, I have to allow them time, I cannot force them out.

Also we have full-time jobs in order to survive. And as there's only 2 members in the band, there's a lot of aspects of band activity to be learned and maintained just for the two of us. And every now and then life throws a curveball that forces the band on a short hiatus. The list goes on. Someone might view these as excuses, but in this world of metal where there's clearly an overabundance of just-another-releases, I want every Apocryphal Voice release to something special and substantial. So I feel no guilt over our apparent slowness, even though it might make us get lost in the noise.

4.What are some of the lyrical topics and subjects the band explores with the music?

- They can be anything that speaks to me. Venting inner daemons to achieve catharsis and to get some weight off my shoulders, texts open and fertile to different interpretations whether it originally meant something to me and I then hid the original meaning or or just being stream of thoughts, symbolic, even fictional stories... et cetera.

It's really easier to answer which kind of lyrics I'm not interested in writing. Those include anything mundane everyday life stuff, gore just for the sake of gore, anything overtly political or current day topical, urban topics, partying, chest puffing, anything materialistic, and so on.

5.On your last album you had a song about Kali, are the band members interested in Occultism or Eastern Mysticism?

- We have always been interested in anything underneath the surface, more than meets the eye. Though I try to keep a critical approach and not swallow anything unchewed. A lot of esotericism is highly symbolic anyway, and once you study a bit of everything from all over the world you start recognising underlying common truths and archetypes that reoccurr in different sources.

Kali also can, and should, be taken symbolically as a force of perpetual flux of change and renewal. She is the goddess of chaos after all, and you can't have creation without chaos, without dying of all things stagnated thus giving room for something new and progression.

6.What is the meaning and inspiration behind the name 'Apocryphal Voice'?

- A voice that isn't recognised as a part of canonical mainstream "truth" by the established powers that be. A voice of dissent. The name can apply to pretty much any musical direction we might take, although it has proven not to roll off your tongue very nicely, unfortunately.

7.Currently there are only 2 members in the band, are you planning on expanding the line up in the future, or do you chose to remain a duo?

- We are planning to add a third member for possible live shows. Most likely a bassist, since I have developed very unique style of guitar playing. The bass has always been an important instrument in our music, very melodic and thus should be fun to play. The main core of the band as far as the delicate process of creating and recording new music will still be us two.

8.Recently Inverse Records, re-issued your 2013 album, what are your thoughts on the final product?

- It always was the intention to have a physical release, not just a Bandcamp release. We view that the streamable release was just a showcase for the proper album.

9.On a worldwide level how has the feedback been to your music by fans of avant garde and black metal?

- From the day one it's always been love-it-or-hate-it by those who have encountered our music. The exposure itself has been quite limited. It's very difficult get a word out there unless your band has a marketable "story", or rather an extramusical gimmick. We on the other hand, are just interested in exploring fresh angles to metal music itself.

10.Are any of the band members also involved with any other bands or musical projects these days?

- I play second guitar in 0xist (a.k.a. Zero Exist). It's very much a vehicle of Jani Koskela, formerly from Let Me Dream, and plays a bit in the vein of Triptykon

Ville has been involved in number of bands, most famously Black Crucifixion, but nowadays plays drums in Sata Kaskelottia, metal/rock a bit in the vein of Mastodon in finnish language. I helped the guys record their upcoming album with the same equipment as with Apocryphal Voice's Pain & Pleasure. The equipment itself is nothing fancy, but I'm pleased with the result which proves that if you're unafraid of the learning curve you can these days have a nice enough production without renting time from a big studio.

Also throughout all these years I have had a number of personal side projects recorded in demo quality just for the fun of it. I don't know yet if I'm going to release any of it. But if I do, they will be free downloads.

11.When can we expect new music and also where do you see the band heading into musically during the future?

- Let's let the dust from the release of Pain & Pleasure settle down first. I'm entertaining the ideas of someday making a not so extreme album with a deep in the pine forest feel to it, and a more prog death metal album with an interstellar space feel to it, but I can't tell which will be made sooner. All in all, I always have very large recorded riff library as pool to draw ideas for further development from. Right now I think it contains literally hundreds of riffs in varying styles, and simply going through them will be a lot of work unto itself.

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

- It's difficult to self-analyse, which bands have been how much influence. I have always listened to widely varying styles of artists. But there are a couple of important musical revelations that have blown my mind and charged me with "I've got to something like that too!" -feeling. Emperor when I was about 16, Ved Buens Ende when I was about 20, and Gorguts around the age of 28-30.

13.What are some of your non musical interests?

- I'm very much into latest scientific discoveries in cosmology, particle physics, biology... The more mind-boggling, the better! I also enjoy nature documentaries, especially on big cats such as tigers and leopards, etc.

14.Before we wrap up this interview, do you have any final words or thoughts?

- Not really. I hope everyone reading this had a nice Yule (I'm finishing this interview on the Christmas Day).

Source :

Torture Chamber/Qayin/Black Lion Productions/2014 EP Review

jeudi 25 décembre 2014 à 23:17

  Torture  Chamber  are  a  band  from  California  that  plays  a  very  raw  and  misanthropic  form  of  black  metal  and  this  is  a  review  of  their  2014  ep  "Qayin"  which  was  released  by  Black  Lion  Productions.

  A  very  raw  and  old  school  black  metal  sound  starts  off  the  ep  along  with  some  high  pitched  screams  and  brutal  blast  beats  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  along  with  some  open  note  riffs  that  bring  in  more  of  a  dark  atmosphere  to  the  songs  and  the  band  also  brings  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.

  At  times  deep  death  metal  growls  can  be  heard in  certain  sections  of  the  recording  and  some  of  the  songs  also  bring  in  a  decent  amount  of  melody  as  well  as  adding  in  an  influence  of  thrash  at  times  along  with  most  of  the  tracks  being  very  long  and  epic  in  length  and  a  couple  of  the  songs  also  bring  in  a  brief  use  of  clean  playing  before  making  a  return  back  to  more  of  a  raw  and  chaotic  black  metal  direction.

  Torture  Chamber  plays  a  style  of  black  metal  that  is  very  raw  and  misanthropic  with  some  war  metal  elements  while  also  having  a  good  sense  of  melody  at  times,  the  production  sound s very  dark  and  raw  while  the  lyrics  cover  Luciferian,  Occultism,  Blasphemous,  and  Misanthropic  themes.

  In  my  opinion  Torture  Chamber  are  a  very  great  sounding  raw  and  misanthropic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Defiling  The  Throne"  and  "Drowning  In  the  Blood  Of  vermin".  8/5  out  of  10.      


Source :

Human Putrefaction Interview

jeudi 25 décembre 2014 à 22:34
1.Can you give us an update on what has been going  on with the band since the recording and release of the new album?
  H.P.: In the mean time, the pack changed some members and this was the main cause, why it took us so long to release the „Anti-Human Nekro Kvlt“.

2.In October you had released your first album, how would you describe the musicla sound that is presented on the recording?
  H.P.: Through out the Album, the sound represent the way we wanted to express our music. Raw rhythm section with nervous guitars and agressive/psychotic vocals. We are very satisfied with the production by S.S. from Quercus Park Studios.

3.The band has been around since 2009 but so far this is the first album, can you tell us a little bit more about the first 5 years?
  H.P.: Mostly we had problems with the line up, which took a lot of time, but in the meantime the core of the band was making new material (... a lot of alcohol was wasted).

4.Your lyrics cover some satanic and anti christian topics, how would you describe your views on Satanism?
  H.P.: As a unity, we had agreed on a consensus, what Human Putrefaction stands for, but every member has his own view on this subject. As long as we have common goals, the Anti-Human Nekro Kvlt will be alive.

5.What are some of the best shows that the band has played so far and also how would you describe your stage performance?
  H.P.: Every performance gave us it's own feelings, but so far, one of the most remarkable for us was the show at Trainstation squat in Kranj on April 2013, where J.D. From Somrak, who also recorded the back vocals and vocals for sixth track on the album, again joined us on the stage.

6.Do you have any touring or show plans for the new album?
  H.P.: Till now we only had the release ritual, but we have plans for more gigs in future. Regarding touring things are still in mist.

7.The new album was released on Mater Tenebrarum Records, can you tell us a little bit more about this label?
  H.P.: The guys from the Slovenian underground label MTR are very dedicated individuals whith a great feel for music and scene and we hope that we started a hellish relationship with them.

8.On a worldwide level how has the feedback been to your music by fans of black metal?
  H.P.: Till now we did not get many feedback, also because we dont have the intention to force our music, not that we would not appreciate fans or critics from the globe. But till now the reviews of the album from some web-zines are promising.

9.What is going on with some of the other bands or musical projects these days that some of the band members are a part off?
  H.P.: Nothing special which would change the path of Human Putrefaction and its intentions, although some of us have other projects.

10.Where do you see the band heading into musically during the future?
  H.P.: Our vision grows, but future is still posessed by misantrophy.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
  H.P.: We follow our own principles and feelings, with no special influence from the artists we appreciate.

12.Before we wrap up this interview, do you have any final words or thoughts?
  H.P.: Too much questions, Whiskey bottle is dry so we better fuckin' shut up!

Source :

Chaoscraft Interview

jeudi 25 décembre 2014 à 22:27
1.For those that have never heard of you before, can you tell us a little bit about the musical project?
1. Chaoscraft started as a solo project by me, Isolator on 2013, with the purpose to play Black Metal, mainly influenced by old Scandinavian Black Metal bands like Emperor, Dissection, Dark Funeral and many more.

2.A year back you had released your first album, how would you describe the musical sound that is presented on the recording?
2. Well, first of all the production of the album is not like the typical Black Metal production. It is more clean, but without being overproduced. The music I write contains fast guitar riffs, screaming mid-pitched vocals and blastbeats. It is recommended for fans of fast Black Metal.

3.Your lyrics cover some Anti Christian topics, can you tell us a little bit more about your hatred for Christianity and also do you have any interest in Satanism or Occultism?
3. I wouldn't say that my lyrics are only about anti christianity, but against all kinds of organized religion which want humans to be slaves. I hate religious people, especially when they pray to their fucking god asking for mercy because they did bad things in their life. All these cunts, are pretending to be good and innocent, but inside they are the worst people alive. I am not interested in satanism or occultism, I am here because of music.

4.What is the meaning and inspiration behind the name 'Chaoscraft'?
4. The name Chaoscraft actually describes the whole vibe of my lyrics, which mostly have no order, no cohesion and they hide subliminal messages.

5.On the album you recorded all of the musical instruments and vocals by yourself, do you feel you get your point across a lot better by working solo than with a band?
5. I recorded all the vocals, all the guitars and the bass, but I used a drum machine. I think working by myself is better for me, because I can do whatever I want, I can record everything that I want, I can do the production that I like, so the final product will be like the way I wanted to be from the first time.

6.The album was released on War Against yourself Records, are you happy with the support that they have given you so far?
6. Yes, W.A.Y is a great label, with very good promotion. The album was released in the most European countries, I don't know about the U.S yet.

7.On a worldwide level how has the feedback been to your music by fans of black metal?
7. So far, so good.

8.You have a very interesting cover for the album, can you tell us a little bit more about the artwork that was presented on the cover?
8. The cover shows a dead angel emerging from a graveyard. It symbolizes creation through destruction, procreation through disaster in general.

9.When can we expect new music and also where do you see yourself heading into as a musician in the future?
9. Right now, I am trying to find some session members for some live shows, to promote the album as much as possible.
After that, I think I am gonna write material for the next album.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
10. Dissection, Mayhem, Emperor, Dark Funeral, Thorns are some of my biggest influences. Today I prefer to listen to the underground stuff, more than the crap that ''major'' metal labels ,like metal blade or nuclear blast, release.

11.What are some of your non musical interests?
11. Sometimes I catch myself dawdling on the fucking internet for many hours. I like watching movies too.

12.Before we wrap up this interview, do you have any final words or thoughts?
12. Thanks a lot for this interview, keep up the good work with your webzine.

Source :