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Ewigkeit/Depopulate/Death To Music Productions/2021 EP Review

mercredi 16 décembre 2020 à 04:54


  United  Kingdom's  Ewigkeit  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  melodic  mixture  of  black  and  death  metal  and  this  is  a review  of  his  ep  "Depopulate"  which  will  be  released in  2021  by  Death  to  Music  Productions.

  A  very  hard  and  heavy  sound  starts  off  the  ep  along  with  the  vocals  being  mostly  black  metal  screams. The  riffs  also  add  in  a  great  amount  of  melody  while  the  music  also  shows  an  influence  of  the  Swedish  melodic  death  metal  style  and  the  solos  and  leads  also  add  in  a  great  amount  of melody.

Some  of  the riffing  also  adds  in  a  touch  of  thrash  metal  while  one  of  the  tracks  also  introduces  spoken  word  parts  onto  the  recording.  When  the  music  speeds  up  a  great  amount  of  blast  beats  can  also  be  heard  along  with  some  of  the  tracks  also  adding  in  a  small  amount  of  synths  as  well  as  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  and  most  of  the  music  sticks  to  a  mid  tempo  direction,  when  the  music  finally  speeds  up  a  small  amount  of  blast  beats  and  tremolo  picking  can  also  be  heard.

  On  this  recording  Ewigkiet  goes for  more  of  a  melodic  mixture  of  black  and  death  metal  which  is  also  different  from  his  previous  releases  which  where  in  a  more  experimental  direction.  The  production  sounds  very  professional  while  the  lyrics  cover  post  COVID19  conspiracy  theories.

  In  my  opinion  this  is  another  great  sounding  recording  from  Ewigkeit  and  if  you  are  a  fan  of  melodic  black  and  death  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Patent  of  Death"  and  "The  Great  Reset".  8  out  of  10.


Source :

Chateau Noir Interview

mercredi 16 décembre 2020 à 03:51


1.For those that have never heard of you before, can you tell us a little bit about the band?

Torden: Hails! Château Noir was conceived by a mystical alliance of two BM activists in the withering summer of 2011 a.y.p.s., most material was created in an intuitive way drawing inspiration from the old French and Polish radical scenes... The duo's cursed debut album is finally out after years of delays via Darker Than Black in the year of the Plague! "...and the windows of our dark castle have been lightened once again!..." 

2. In August you had released your first full length, musically how does it differ from your previous split and demo?

Torden: Yeah, finally we did it. The album was recorded back in 2013, and for some reason we never got to release it. Lack of time, motivation, or lack of interest from worthy labels. 

And what a year to release the album, pandemics, haha, the modern day plague. By the way we came up with the album title back in the day, so in a sense you can say it was prophetic.

Answering your question, it doesn't differ much because it was recorded around the same time as the demo and split material, however we used more serious equipment for the recording. Everything from porta studio to microphone to drum machine. And then it was mastered by Sadist from Misanthropic Art / SS-18 / Baal Zebuth last year to give that crisp and raw sound.

3. I have noticed that there is a 4 year gap in between releases; can you tell us a little bit more about it?

Torden: Like previously mentioned, basically life circumstances and lack of motivation delayed the release by approximately 6-7 years... so these gaps are not really intentional, it's just the way things are. And in the end, I think the album was released just on time, our little soundtrack to the dying modern world.

4. Your lyrics cover darkness and mysticism themes, can you tell us a little bit more about your interest in these topics?

Torden: It’s not “interest” really, it’s my life. When I write the lyrics I express feelings which are gathered deep inside of me, so it’s not some made up crap. However, there’s not much darkness or mysticism to be found in the lyrics to this particular album. If you actually read the lyrics you will see they’re quite philosophical and abstract, everyone is free to interpret them in their own way. But indeed, the lyrics for the second album are going to be more obscure and mystical, or even occult.

5.I know that the band’s name means 'Black Castle' in French. How does this name fit in with the musical style that you play?

Torden: I think it fits our music well, but I’m not the one to judge. The name came before any of the music was created. 

6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

Torden: Yeah, the front cover is an old Dutch painting from 17th century. I found it long time ago and I think it fits the music and the atmosphere of the album perfectly.

7.Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?

Uruk-Hai: Yeah, Château Noir is a duo, in which all the functions necessary for the existence of the band are rationally divided between the two members: Torden writes lyrics, records vocals, does the design, keeps in touch with the labels etc. I compose the music, do the recording process, mixing of our poison, sometimes give some hints about lyrics, intro/outro etc.

Sometimes, of course, we may change roles, as it took place on the Granskog / Château Noir split, where I wrote instrumental parts for Granskog and Torden did the same for Château Noir.

Few years ago we tried to expand the line-up, but it gave no result, because it is time consuming for the new members to learn the material, rehearse etc. In addition to that, in the sewer where I live there are constant issues with rehearsal places, especially when it comes to full line-up.

That is why the current state of affairs is more than acceptable.

Torden: I can also add that I would only consider session live musicians for the possible expanding, we do not really need any “fresh blood”.

8.On the new album you also done an Absurd cover, what was the decision behind doing your own version of one of their songs?

Uruk-Hai: The decision to cover this track of Absurd was quite logical, as both of us are old fans of the band and it has influences us a lot. It was difficult to choose the track to cover though, as all of their music is great, but this particular song was very consonant with our mood and our feelings in the time period when we were recording the album.

9.Does National Socialism play any role in your music?

Uruk-Hai: We’re not going to follow the trend and say: “Yeah, we’re NSBM”, and two years later change our mind and say we’re against politics and hate all people equally. This is just stupid.

Torden: It’s 2020, Black Metal scene has seen everything: Satanism, Misanthropy, National Socialism, pedophilia, eco-feminism, you name it. We just make our music and don’t think about the trends or names. Genres were made up by people who had nothing better to do. It is enough to listen to music and read the lyrics – and then everyone will be able to make their own conclusions. But no, there is no influence of Alfred Rosenberg’s or Adolf Hitler’s ideas on our lyrics or music as far as I remember.

10.On a worldwide level how has the reaction been to your music by fans of black metal?

Torden: The reaction was surprisingly good, from both old comrades as well as regular listeners who have never heard of us before. Which is flattering, especially if you consider the quantity of releases which flood the scene nowadays. Sometimes it seems that there are more bands that fans altogether…


11.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?

Uruk-Hai: My active projects at the moment:

1. Weinberg – Black Metal project, mostly instrumental, where I have the possibility to experiment with sound, stylistics etc. Currently I have released 3 demos, which are available at, few demos are about to be finished, I hope in the near future they will become available.

2. Interstellar Chumak - stoner/sludge, initially it was oriented at near-folk sound, but now it is more of a misanthropic sludge with some addition of hardcore. There’s not too many recordings right now – just a few rehearsals, video from the only live appearance, and the 2 track EP is in the process of mixing, which I again hope will be available in the nearest future.

3. Bestial Vomit - black/death in the vein of old gods Blasphemy, Archgoat, Black Witchery. 

Line-up: Torden – vocals, noise sounds, me – vocals, instruments.

EP is also being mixed at the moment and I hope in the beginning of next year Satanic Skinheads will be able to listen to our material.

4. Frostriket – atmospheric BM, where I only play the guitar (at least somewhere I can have a rest, haha).

There are also a couple of other projects, but they are either on hold or just in the beginning phase.

Torden: As for me, Granskog is my main project, but it is currently on hold. I also take part in Bestial Vomit and do occasional vocals in Medieval Sacrifice.

12.Where do you see the band heading into musically during the future?

Uruk-Hai: In the future Château Noir will sign a deal with nuclear blast and will play live shows at some big festivals! Hahaha!

Well, honestly, Château Noir was, is and will be an obscure underground formation,which has already taken its place, a part of our small but still strong Bukowinian scene, and all this fuss to prove something to someone – this is not my cup of tea. As someone from Pestilentia once said – “I’m too old for this shit”. 

Torden: Nothing more to add, just look out for our second album to be released sometime next year.

13.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Uruk-Hai: I wouldn’t like to drop names for the thousandth time, naming the bands and projects that roam from one interview to another, but once I was greatly influenced by the early French scene, first of all bands of Concilium: Seigneur Voland, Kristallnacht, Blessed in Sin, most of the LLN circle, especially Vlad Tepes, Black Murder, Belketre; also musically I’m influenced a lot by Finnish scene: Sargeist, Horna, Hammer, Goatmoon etc. Hellenic scene also has had some influence, both early - Rotting Christ, Varathron, Necromantia as well as more new radical scene - Wolfnacht, Der Sturmer, The Shadow Order. Especially I want to highlight Pantheon (Arizona), Grand Belial's Key (Heil!), Master's Hammer, Cultes des Ghoules, Spear of Longinus. From what I’m actively listening at the moment: Meshuggah, Blasphemy, Proclamation, Demoncy, Bongripper, BBH, a lot of different drone-, dark-ambient'а Ironsword, Manilla Road, lots of old hardcore and RAC.

14.Before we wrap up this interview, do you have any final words or thoughts? 

Der Sieg wird unser sein!


Source :

Auro Interview

mercredi 16 décembre 2020 à 03:40


1.For those that have never heard of you before, can you tell us a little bit about the band?

AURO was founded in the beginning of 2017 in Augsburg/Germany by Framan (ex-Schrat, ex-Drudensang) and Dragg (Drudensang, ex-Schrat). 

AURO is a merging of the words Aura and Ouroboros. 

Ouroboros, the self-consumer, symbolizes a completely autarkic entity. It personifies the ultimate utopia to be achieved: The creation of a social and emotional micro cosmos without any interaction with the abominable outer world. 

Aura is the tool which is purposely used as a hammer - destructively smashed in the grotesque face of society for deterrence. And yet at the same time to build the foundation of the very own existence – as part of the individual cosmos.

Framan is responsible for all guitars and bass work, Dragg for the lyrical concept and vocal arrangements. Both of us have been writing lyrics for the debut album and performed as vocalists. During the recording sessions we have been supported by Nefastus (drums) and Henker (keyboard) 

2.Recently you have released a new album, can you tell us a little bit more about the musical style you went for on the recording?

When Auro was founded in 2017 Framan had already been working on the material for some time on his own. The composition of the album songs in a raw shape was nearly finished at that time. We did not really have a masterplan for the band’s musical style, it just developed all very naturally. Although, several key elements were very clear right from the beginning: Atmospheric, old school and raw! That’s the way Black Metal sets our hearts and souls straight on fire!

3.A lot of your lyrics cover esoteric, hermetic and occult themes, can you tell us a little bit more about what these mean to you? 

First of all – a lot! Hermeticism is a pretty common topic since many people share similar feelings towards society and humanity in general. But this does not mean that it’s trivial. It’s the contrary. You really have to understand what it is that you detest and elaborate visions for your future. Esotericism and occultism fascinate us. Both provide different perspectives on various topics and personal challenges. At the end of the day, all these concepts and theories are man-made and therefore flawed to a certain degree. In search for your personal truth you can only truly rely on yourself and not entirely on a concept or solution that someone different developed.  Everyone strives for “the best” in his life. It’s a long and hard way to actually find out what that specifically is and after that to really achieve it. For most of us it is a continuous search and adjustment of our lives and selves. 

4.What are some of the other lyrical topics and subjects you have explored so far with the music? 

They all sum up pretty much to a few common denominators. What changes is the overall setting and how the topics are illustrated. For example, in Schrat there was always a great focus on nature and its spirits – the topics described above have been present as well. 

5.With the band name you merge Aura and Ouroboros together, do you feel this name fits in perfectly with the bands musical style and lyrical concepts?


6.Can you tell us  a little bit more about the artwork that is presented on the new album cover?

The artwork was originally drawn by Timo Ketola with black ink on permament style paper in 2019. We developed it together with him. We explained him our different ideas behind the album’s lyrics and he came back with sketches which were refined in the process. 

The picture shows an apathic human like figure with cut off hands who is entangled by a giant snake – ready to bite or devour him. Both are located in rough sea with barren and desolate mountains in the distance. This perfectly illustrates the key messages of the album.

We don’t want to unfold our exact thoughts behind this to your readers. It’s far more interesting and enriching to think about it for yourself while listening to the music. 

Just some impulses to think about: Why is the figure looking apathic? Why were the hands cut off? What may be possible meanings behind the snake’s attempt, when you think about our band name? 

7.On this album you also have a couple of well known musicians helping out on some of the instruments, can you tell us a little bit more about who they are and also their contributions to the recording?

Nefastus recorded the drums for the album in his home studio. We provided him with programmed drum tracks when we sent him the songs. He refined those tracks and interpreted them with all his experience and talent. He is mostly known in the scene for his work with Belphegor in the past, but he also played and still plays in various other bands

Henker is well-known in the German underground scene due to his participation in countless Saxon bands, such as Eminenz, Andras, Ad Mortem, Temple of Oblivion to name a few. Since he is also a member of Drudensang, it was quite obvious to ask him to lay down the keyboard tracks for the album. We sent him the songs and he came back with some recorded ideas which we then adapted to the songs.

Torti, a long-time friend of us recorded acoustic guitars for the outro of the album. He also provided the first drafts of the band logo. He is not active in any bands, but a general artist. 

8.Currently the band is a duo, are you open to expanding into a whole band on future releases?

We basically are open-minded for everything the future will bring. With regards to the songwriting we both think that “less is more” is also a valid term concerning the number of involved band members – otherwise too many opinions and egos tend to prevent progress.

9.Would the band be open to doing any live performances if the opportunity ever came around?

We are already in contact with organizers for gigs in Germany in 2021 – so yes, definitely!

10.The new album was released on 'Obscure Abhorrence Records, how did you get in contact with this label?

Andi also has a successful and partnering collaboration with Drudensang running so he basically was on the shortlist right from the beginning. He did not show any sign of hesitation when we talked about a potential release of the album on his label – he was totally convinced by our material right from the beginning. That’s basically the story.

11.On a worldwide level how has the reaction been to your music by fans of black metal?

From what we experience the album is received really well. We had it uploaded on Youtube by “Black Metal Promotion” right on the day of release and based on the numbers of listening's and social interactions it went very well.

12.Where do you see the band heading into musically during the future?

To quote us from above:  Atmospheric, old school and raw!

13.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

When we think about bands/albums that impacted the way we write music for Auro that would be the following: Katharsis – 666, Vitsaus - Ajan ja ihmisen haudoilla,  Evilfeast – Elegies of the Stellar Wind

Currently running on our CD players/turntables: Whoredom Rife, Evilfeast, Motörhead, Auro

14.Before we wrap up this interview, do you have any final words or thoughts?  

Thanks for the interview! 

Source :

Sorcier Des Glacies Interview

mercredi 16 décembre 2020 à 03:30


1.Can you give us an update on what has been going on with the band since the recording and release of the new album?

SDG – Sorcier Des Glaces is a duo so we have no rush doing everything else quickly. When inspiration for new songs will come in my head, I will know it’s time! “Un Monde de Glace et de Sang” has just been released not long ago, so we are taking a little break now. We recorded other songs in that studio session though, so you might a surprise for 2021 J I run Hell Studio here in Québec, so I’m working (mixing/mastering) on some other bands at the moment. I’m also continuing the writing and recording of the final Moonlyght album we are working on since two years now, Progressive Darkness pt. II.

2.Recently you have released a new album, musically how does it differ from the stuff you have released in the past?

SDG – I would say it’s like the perfect storm, with elements of all our past albums. The aggressiveness & old-schoolness of “The Puressence of Primitive Forest”, the atmospheric and dark melancholic melodies of “Ritual of the End” but also a more natural and rawness from “Snowland”. We wrote the part two of “L’Éternelle Majesté des Montagnes”, I think it is a “real” follow-up from that old song on our first album, it’s like the continuity of it. 

3.You refer to your music as being ‘cold primitive metal’, can you tell us a little bit more about this term?

SDG – I never considered Sorcier Des Glaces “black metal” even if it sounds like that. I feel that I don’t have the right to call it that way. Black Metal for me is so much more than a musical style. It was an underground movement, a way of thinking that belongs to the late 80’s, early to mid ‘90s. Satanism, corpse paint, the church burnings, murders, etc. That is Black Metal to me. Sorcier Des Glaces has a primitive, ancient vibe in its music and I am strongly influenced by many bands from that era. I think the term “Cold Primitive Metal” fits perfectly our music.   

4.What are some of the lyrical topics and subjects the band explores with the newer release and also how would you describe your progress as songwriters over the years?

SDG – I could compare the universe of Sorcier Des Glaces like a post-apocalyptic world. The last remaining humans are tracked by dark forces, and nature has regained its due over mankind. We talk about ancient times, where the Earth was pure and free from today’s reality. The frozen nature from the north… we are from Quebec in Canada so winters are very rude here, it gives me a lot of inspiration. I started SDG 23 years ago, so let’s say that I’ve grown a lot since our debut album Snowland as a songwriter, and also the fact that I explored other musical genres with Moonlyght (progressive music, death metal) and with Passage (doom metal) I think it brought me a lot of experience when composing songs.  

5.You write lyrics in both French and English, which language do you prefer to write in?

SDG – Both! In Quebec we speak mainly French and I am very proud to write songs in my native language. I also like very much the lyrics sung in English as most people on Earth know that language and it is more easy for people to understand. 

6.The band also has a history that goes back to the mid 90’s, what is it that motivates you to continue writing and creating music after 2 decades?

SDG - As long as I think I’m getting inspiration for writing “good” songs for Sorcier Des Glaces, I’ll continue. I’m 41 now and I still have the (black) flame in me for that! The day I feel that I’m writing crap, I will stop. I have to first be convinced about new songs I’m writing. The fact that we are a duo and not a 5-members band who has many opposite ideas, often arguing about everything, riffs, etc. (you know what I mean) help us having a great relationship together. We are not rushing everything.

7.In some of your early photos the band was wearing corpse paint but in the more recent years most of the pictures have you looking more normal, what was the decision behind going into this direction? 

SDG – We were teenagers around that time (1996/1997) and of course we wanted to do like many black metal bands that were our main influences. I think corpse paint in 2020 looks more like a joke, haha. I mean, I understand that bands still want to associate themselves with the black metal movement, but it just doesn’t works for us at all.

8.The band from the start has only been 2 members, have you ever thought of expanding the line up and adding in other members?

SDG – No, not at all. I’m a very selfish person when it comes to our sound, riffs, atmosphere. Like I said, we are free from all that arguing bands who have many bandmates may have. I’m free doing what I want, Luc is following me in all this adventure since the beginning. His drumming is essential. We know each others since high school, and the chemistry between us is phenomenal. But you know, I like having guests in our albums. Thierry’s voice on the title song on our new album, I feel he did a great performance. 

9.On the new album you also done a ‘Necromantia’ cover, what was the decision behind doing your own version of one of their songs?

SDG – We did a lot of cover songs since 2011, some of my fave bands that were very important in my developpment as a musician, as a songwritter. I remember hearing “Crossing the Fiery Path” from Necromantia in my youth. It was sounding… well very strange for my ears back then! I was used to American and Swedish death metal sound around that time when I discovered that album, and a couple of years later “Scarlet Evil, Witching Black” that was also fantastic. That album is very important for me, so I decided to make a Sorcier Des Glaces cover. 

10.You have also been a apart of splits with ‘Monarque’ and ‘Ende’, what are your thoughts on the other bands that had participated on the recordings?

SDG – Monarque is a great friend of mine and he is like me in many, many ways. He is a fantastic songwritter, I support him in all his projects and I’ve produced at Hell Studio many of his albums from Monarque and Sanctuaire. I’ve been introduced to Ende in 2015 I think, they are labelmates and I honestly don’t remember how we decided to do a split album together, but they are great people, a duo like us, and we both speak french so we easily set up something!  


11.Your last few releases have been on ‘Obscure Abhorrence Records’, how would you compare working with them to your older label ‘Mankind’s Demise Records’?

SDG – Well I know Rémi who was running Mankind’s Demise since a long time. He did end his label activities many years ago, after we released “The Puressence of Primitive Forests” album (he has now formed the label Evil Tentacles Records, who focus on releasing Québécois Black Metal on vinyl exclusively). He is a great guy and he released our debut album “Snowland” on vinyl in 2020. As for Obscure Abhorrence, I think that our relationship together is absolutely great, Andi is believing in us since 2012 (we released the split with Monarque and Ritual of the End some years after). It’s a great label and they make quality releases. I would add also Miguel from Dread Records in the USA, he is releasing all our releases in cassette version. Great guy to work with also.

12.Can you tell us a little bit more about the artwork that is presented on the new album cover?

SDG – This artwork suits this album 100% I think. It reflects perfectly the atmosphere created in this album. It represents our dark world. It is no surprise that Mayhem “De Mysteriis Dom Sathanas” is a very big influence in our sound, I thought it would be great to have something like a dark castle or a dark cathedral on the album cover this time, and not having again some snowy forests, haha. But you know, the forest pictures that are on the cover of Snowland and North albums were taken at the same time, by myself, somewhere in 1995 or 1996. At first it might appear like generic pictures found on the web, but they are not at all and for me they are very important. I took those pictures myself in the forest near my parents home where I was living at the time, something like 25 years ago. And for the Snowland picture, they did put a fucking grocery store and new houses there. It was a field and a small forest before that, when I was young and when I took the picture. Sad!   

13.On a worldwide level how has the reaction been to your newer music by fans of black metal?

SDG – Fantastic! And I’m so happy with the result. I mean, I put so many hours in mixing it, I was not happy with it at first. I need to be 200% satisfied first and That’s why this album sucked my energy a lot, haha. I think I’ve listened to it 300 times, making adjustments for many weeks prior to sending it to the label. People seem to like it a lot, and I’m so satisfied as it means they are embarking with us on our journey. 

14.What is going on with ‘Moonlyght’ and ‘Passage’ these days which also share the same members?

SDG – I want to release one final album with Moonlyght, to end this band the way it deserves as I formed myself that band in 1995. It’s going slowly, but all is composed. It will be a one-song album (same kind of formula as the self-titled Sorcier Des Glaces album from 2018) called Progressive Darkness part II, based on the song from the same name on Moonlyght’s debut album. As for Passage, I wrote a third album, but honestly I lost interest in it. I’m still unsure if I will record it one day. Top priority is Sorcier Des Glaces.

15.Where do you see the band heading into musically during the future?

SDG – That’s a big question! The metal world, especially in “black metal”, is a very conservative one. I could not, and I’m not interested at all, in adding for example electronic influences or rock influences in our sound. I feel that Sorcier Des Glaces needs to sound a certain way and preserve this kind of old-school, ancient vibe. However, I cannot write the same album again, it would become kind of flat and uninspiring. As I listen to many musical genres, I’m very open-minded and sometimes other kind of music bring me new ideas. I would like to record an acoustic/instrumental album for Sorcier Des Glaces, but it would have to sound and feel 100% like Sorcier Des Glaces. Ancient, obscure, atmospheric, cold… I would really love to do it one day.   

16.WHat are you currently listening to nowadays?

SDG – I’m listening to a lot of movies soundtrack music lately. Strangely, I’m not listening to any newer black metal bands and stuff except for the bands I’m producing in my studio now. I’m also listening to some death metal like the new album from Skeletal Remains, killer stuff! Of course old progressive stuff like Genesis often play here.

17.Before we wrap up this interview, do you have any final words or thoughts?

SDG – Music is a great passion. It’s an important part of me and as long as I have this fire inside I will continue to write music. Please support underground bands! They are putting their heart into their music. Thanks for this interview!

Source :

Aethyrick/Apotheosis/The Sinister Falme/2021 CD Review

mardi 15 décembre 2020 à 06:36


  Finland's  Aethyrick  have  returned  with  a  new  recording  which  continues  the  melodic  and  satanic  style  of  occult  black  metal  from  previous  releases  and  this  is  a  review  of  their album  "Apotheosis"  which  will  be  released  in  2021  by  The  Sinister  Flame.

  Sounds  of  wind  start  off  the  album  before  going  into  a  very  fast  and  raw  musical  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  and  the  riffs  also  add  in  a  great  amount  of  melody.

  Most  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  songs  also  add  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts.  Vocals  are  mostly  high  pitched  black  metal  screams  along  with  the  synths  also  giving  the  songs  more  of  an  atmospheric  feeling  when  they  are  utilized  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.

  The  songs  also  bring  in  a  decent  mixture  of  both  old  school  and  modern  influences  along  with  one  of  the  tracks  also  adding  in  a  brief  use  of  spoken  word  parts  which  also  gives  the  music  more  of  a  ritualistic  feeling  as  well  as  the  closing  track  also  adding  in  a  brief  use  of  acoustic  guitars.  The  production  sounds  very  professional  while  the  lyrics  cover  Satanism,  Occultism  and  Mysticism  themes.   

  In  my  opinion  this  is  another  great  sounding  recording  from  Aethyrick  and  if  you  are  a  fan  of  occult  and  satanic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Starlit  Altar"  and  "Path  of  ordeal". 8out  of  10. 




Source :