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Vegard/Bewitched By Moonlight Rituals/Lone Vigial Recordings/2020 CD Review

lundi 25 mai 2020 à 04:24

  Vegard  are  a  duo  from  the  United  Kingdom  that  has  had  music  reviewed  before  in  this  zine  and  plays  an  atmospheric  form  of  black  metal  and  this  is  a  review  of  their  2020  album  "Bewitched  By  Moonlight  Rituals'  which  was  released  by  Lone  Virgil  Recordings.

  Nature  orientated  soundscapes  start  off  the  album  along  with  some  atmospheric  and  epic  sounding  keyboards  a  few  seconds  later  which  also  mixes  in  with  the  heavier  sections  of  the  songs.  Vocals  are  mostly  grim  sounding  black  metal  screams  while  the  music  also  brings  in  a  great  amount  of  90's  influences.

  Most  of  the  tracks  are  very  long  and  epic  in  length  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  Clean  playing  and  acoustic  guitars  can  also  be  heard  in  certain  sections  of  the  recording  along  with  the  music  also  adding  in  some  ambient  and  symphonic  elements.

  When  tremolo  picking  is  utilized  it  also  gives  the  songs  more  of  a  raw  feeling  along  with    a  couple  of the  tracks  being  instrumentals  as  well  as  nature  sounds  also  making  a  brief  return  as  the  album  progresses  as  well  as  all  of  the  music  sticking  to  either  a  slow  ir  mid  tempo  direction.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  nature,  mythology,  individualism  and  mysticism  themes.

  In  my  opinion  this  is  another  great  sounding  album  from  Vegard  and  if  you  are  a  fan  of  ambient  and  atmospheric  black  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Arcane  Winter  Forest  Mysteries"  "Ancient  Woodland  Tyrants"  and  "Thy  Immutable  Nightfall".  8  out  of  10.

Bandcamp
Instagram
   

    

Source : http://occultblackmetalzine.blogspot.com/2020/05/vegardbewitched-by-moonlight.html


Disamara/Notturna e la quiete/Naturmacht Productions/2020 Full Length Review

lundi 25 mai 2020 à 01:57

  Disamara  are  a  solo  project  from  Italy  that  plays  a  a  very  nature  orientated  and  an  old  school  form  of  atmospheric  black  metal  and  this  is  a  review  of  his  2020  album  "Notturna  e la  quiete"  which  was  released  by  Naturmacht  Productions.

  A  very  dark  and  heavy  sound  starts  off  the  album  while  the  riffs  also  bring  in  a  great  amount  of  melody.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  songs  more  of  a  raw  feeling  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.

  Vocals  are  mostly  grim  sounding  black  emtal  screams  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  Acoustic  guitars  can  also  be  heard  in  certain  sections  of  the  recording  along  with  most  of  the  tracks  also  being  very  long  and  epic  in  length  as  well  as  the  music  also  adding  in  a  good  balance  between  old  school  and  modern  influences,  when  synths  are  utilized  they  also  give  the  music  more  of  an atmospheric  feeling  and  nature  sounds  can  also  be  heard  at  times.

  Disamara  plays  a  style  of  black  metal  that  is  very  atmospheric  sounding  and  mixing  it  with  the  rawness  and  aggression  of  the  old  school  era.  The  production  sounds  very  dark  and raw  while  the  lyrics  are  written  in  Italian  and  cover  nature  themes.

  In  my  opinion  Disamara  are  a  very  great  sounding  nature  orientated  and  old  school  atmospheric  black  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Rivelazione"  and  "Essenza  fine".  8  out  of  10.

https://www.youtube.com/watch?v=aBG7JO-dOx8&feature=youtu.be   

    

Source : http://occultblackmetalzine.blogspot.com/2020/05/disamaranotturna-e-la-quietenaturmacht.html


Walpurgia/Altar Of The Goatbaphomet/Helter Skelter/Regain Records/2020 Demo Review

lundi 25 mai 2020 à 00:12

  Walpurgia  are  a  band  from  Greece  that  plays  a  very  blasphemous  and  apocalyptic  form  of  war  metal  and  this  is  a  review  of  their  2020  demo  "Altar  Of  The  Goatbaphomet"  which  was  released  in  June  as  a  joint  effort  between  Helter  Skelter  and  Regain  Records.

  A  very  fast,  raw  and  brutal war  metal  sound  starts  off  the  demo  along  with  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  a  mixture  of  bestial  growls  and  black  metal  screams   while  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them.

  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  most  of  the  riffing  is  also  done  on  power  chords  with  only  a  small  amount  of  single  string  notes.  All  of  the  music  avoids  any  use  of  melody  to  focus  more  on  a  raw  and  brutal  style  and  the  whole  demo  also  sticks  to  a  heavier  musical  direction  as  well  as  one  track  also  adding  in  some  ritualistic  chants.

  Walpurgia  plays  a  style  of  war  metal  that  is  very  raw,  brutal  and  violent  sounding.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  Satanism,  Goat  Worship  and  Occultism  themes.

  In  my  opinion  Walpurgia  are  a  very great  sounding  blasphemous  and  apocalyptic  war  metal  band  and  if  you  are a  fan  of  this  musical  genre,  you  should  check  out  this  demo.  RECOMMENDED  TRACKS  INCLUDE  "Altar  Of The  Goatbaphomet"  and  "Desecration  Ritual".8  out  of  10.

https://youtu.be/adra3u5AFLo

  

Source : http://occultblackmetalzine.blogspot.com/2020/05/walpurgiaaltar-of-goatbaphomethelter.html


Valravne Interview

dimanche 24 mai 2020 à 21:44
1.For those that have never heard of you before, can you tell us a little bit about the musical project?
Valravne is a solo black metal project I started in late 2019, after playing with several ideas since earlier in the year. I describe the music as aggressive, depressive, misanthropic black metal. It is aggressive in style and depressive/misanthropic in content.

2.So far you have released a full length and an ep, musically how do they both differ from each other?
The biggest difference between the two is the production. I went for a much cleaner and clearer mix on the first release and on the EP, I strove for a more raw sound. It still is relatively clean sounding as compared to old Darkthrone records, but I think more hard-hitting, to be sure. I strive to make sure the songs do not sound the same, so every song is unique in its own way, I hope.

3.Can you tell us a little bit more about the lyrical topics and subjects you have explored so far with the music?
Sure. Lyrically the subject matter is really just me playing with my worst impulses. Feelings of depression, suicide, hatred of myself, hatred of religion, hatred of humanity, hatred of existence. Just an overall contempt for this plane of being we have been thrust into. I don't feel each of those ways all the time, but Valravne is a place where I can feel them intensely.

4.What is the meaning and inspiration behind the name Valravne'?
I was born in Maryland and spent much of my childhood in Baltimore, where Edgar Allen Poe looms large. Given his poem "The Raven" and the NFL team, I wanted something related to ravens. I began researching ravens and myths and folklore that surrounded them and came across the Danish folklore of the Valravn, which in short is a Raven that eats the souls of the dead and turns into either half-man half-raven or half-wolf. The "e" at the end is arbitrary.

5.Can you tell us a little bit more about the artwork that is presented on the ep cover?
The EP cover is simply a picture of American serial killer Ted Bundy. I had always been fascinated with him and the hope was that with the cover being a picture of a person rather than a scenic nature picture or a hand-drawn piece, it would help the EP stand out.

6.So far this year you have put out 2 releases, do you spend a great amount of your time writing and creating music?
I have a compulsion to do it. I would be doing this even if no one were listening. I spend far more time working on music than those around me would prefer, but I never think it is enough. In fact, there is a second installment of the "Some Kind of Vampire" EP coming out in June. I intended on releasing another record by the end of the year but with the pandemic, I thought it might be interesting to release it in serialized installments, episodes.

7.With this project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?
I have been working with other musicians my entire music life playing in punk rock bands (in my anecdotal experience, about 80% of American black metal artists started out as punk rockers of some sort), this is my first real solo project. I think Valravne is too specific to me for me to work with anyone else on it, but I am happy to at some point perform Valravne live with other musicians if the correct opportunity presented itself.

8.On a worldwide level how has the reaction been to your music by fans of black metal?
There is an inherent bias against USBM, oftentimes for good reason, but overall the response has been very positive, especially internationally. I have more followers outside of the states than I have local to my own area. That is an exciting thing. I haven't quite had the pleasure of internet troll hate just yet.

9.Currently you are unsigned, are you looking for a label or have received any interest?
Profound Lore isn't beating my door down or anything, but I have had some discussions with some labels about small distro runs. I hope to get physical copies out into the world by the end of the year, if not sooner. But you know, any label reading this, my DM's are open.


10.Where do you see yourself heading into as a musician during the future?
I have absolutely no idea, and I find that enthralling. There will continue to be much more Valravne and that is all I can say with certainty.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
For this project, USBM bands like Leviathan, Weakling, I Shalt Become, other bands like Shining, Burzum, and Gorgoroth. Leviathan, in particular, is heavy on me, Wrest's use of dynamics is something I really try to bring into my work. A repetitive droning effect if done intentionally can be impactful, but I never want to record an album where it all sounds like one long boring song. As far as what I've been listening to lately, a good bit of punk rock, I've been trying to get more into death metal so some of the classics there like Entombed and Morbid Angel. In black metal, I have been really into The Projectionist's new album and my buddy Vide's "Collection."

12.Before we wrap up this interview, do you have any final words or thoughts?
Thanks for the opportunity to chat, and to people out there reading, I hope you enjoy the music. Reach out to me on the socials and let me know what you think, I am on my phone 90% of my waking existence anyway.

Bandcamp
Facebook
Instagram

Source : http://occultblackmetalzine.blogspot.com/2020/05/valravne-interview.html


A Sea Of Dead Trees/Boaby Coull/Trepanation Recordings/2020 CD Review

dimanche 24 mai 2020 à 09:06

  A  Sea  Of  Dead  Trees  are  a  solo  project  from  Scotland  that  plays  a  mixture  of  post  black  metal  and  shoegaze  and  this  is  a  review  of  his  2020  album  "Boaby  Coull"  which  will  be  released  on  May  29th  by  Trepanation  Recordings.

  Clean  playing  starts  off  the  album  while  also  introducing  elements  of  post  rock  onto  the  recording.  Synths  can  also  be  heard  at  times  along  with  all  of  the  drum  beats  also  being  programmed  and  after  awhile  the  music  also  goes  into  a  heavier  direction  as  well  as  the  solos  and  leads  being  done  in  a  very  melodic  style.

  Spoken  word  samples  are  also  added  on  some  of  the  tracks  while  the  music  also  mixes  in  a  great  amount  of  shoegaze  influences.  A  couple  of  tracks  also  adds  in  some  Americana  style  instruments  and  acoustic  guitars  along  with  the  music  also  having  its  experimental  moments  as  well  as  the  heavier  sections  of  the  songs  also  mixing  in  the  heaviness  of  post  black  metal  and  as  the  album  progresses  depressive  black  metal  screams  and  clean  goth  rock  style  vocals  can  also  be  heard  briefly  and  all  of  the  music  sticks  to  a  slower  direction.

  A  Sea  Of  Dead  Trees  plays  a  musical  style  that  takes  black  metal,  post  rock  and  shoegaze  and  mixes  them  together  to  create  a  sound  of  his  own  and  the  production  also  sounds  very  professional.

  In  my  opinion  A  Sea  Of  Dead  Trees  are  a  very  great  sounding  mixture  of  black  metal,  post  rock  and  shoegaze  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Willbrook"  "Nuclear  Peace  Time  Boys"  "Between  Two  Worlds"  and  "My  Batteries  Are  Low  And  It's  Getting  Dark".  8  out  of  10.

https://www.youtube.com/watch?v=zye9p-mTWhE

Source : http://occultblackmetalzine.blogspot.com/2020/05/a-sea-of-dead-treesboaby.html