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Bestialis Interview

mardi 26 janvier 2021 à 02:16


1. For those that have never heard of you before, can you tell us a little bit about the band?

We are Bestialis and we have just released our debut EP “Ritus” on November 13th, 2020, so our first sign of life is only two and a half months old. It would not be surprising if you have not heard about us yet, but then it is high time to give a listen to our music.

However, Bestialis was born already in 2012. The band is a duo consisting of Absorber (guitars) and me, Lastaurus (vocals). We do the songwriting for all the instruments as well as the recordings by ourselves (we only had some help regarding the drums on “Ritus” from O Grego). We are also working towards playing live with session musicians, but that is currently still in the future.

Looking into the past, we met and started playing metal together in 2008. After experimenting in previous bands, we decided to start anew together in 2012. The main characteristics of Bestialis were created back then: the name, a first logo, the basics of the concept behind the name, and the first song drafts. Over the years we recorded a few demo songs, discarded some of them, and took our time to let it all grow. We never felt any pressure to release a first record, concentrated on other things in life that were important at that time, and generally focused on slow but mostly steady work.

In 2020, to come to the present, we felt it was about time and we are happy that “Ritus” is out now, released by Vendetta Records and us digitally and as a beautiful 12″ screen printed vinyl (B-side), thanks to Stefan and Olli.

2. Recently you have released an EP, can you tell us a little bit more about the musical style that you went for on the recording?

Well, actually we did not go for a specific musical style. It was not a question of which style we chose, but ‘the style’ was simply what we did, what Bestialis stands for. I think the best thing is to listen to the record, but I will try to describe it. We play black metal music that deals with the animalistic in humans, or human animality, and with humanimal origins, so to speak. It is about primeval and generally other forms of living and becoming together, about needs, feelings and instinctive behavior. I can tell you more about our concept later.

To give our topics the appropriate musical expression, as we think, we have incorporated acoustic elements like guitars, percussions, chants and throat singing. We tried to build up kind of a strange ritual atmosphere, or as Islander from No Clean Singing put it: “[…] the feeling that we have been transported into the midst of a dark ceremony.” I quote him because I think he described our music very well and really got “Ritus”.

Bestialis is rooted in traditional black metal, no doubt about that. However, we do not think that our music actually is traditional black metal, nor that we belong to this subgenre. We do not stop at supposed genre boundaries, but go beyond by using traditional folk music elements on the one hand and unconventional, progressive arrangements on the other. This is not only for reasons of appropriate expression, but also because we draw inspiration from black metal as well as a lot of other music, just as cultural influences in general. I like to describe us as black metal border crossers.

And let me add, this musical approach also reflects our world view. We as individuals as well as Bestialis are convinced of a transcultural, progressive society that must be developed further. And, to point this out: If you are not with us in this respect, Bestialis cannot be for you.

3. The band has been around since 2012 but waited until 2020 to release any music, can you tell us a little bit more about the long wait?

As said, we took our time. We did not wait for something to happen from the outside whatsoever. No, we took our time to experiment, also to discard drafts, and to develop the music, the lyrics and the concept behind all of this. And we have done so alongside other, sometimes stressful things in life, with passion for what we do. Otherwise we would not run Bestialis at all.

But do not worry: Now that our debut EP is out, it will not be long until the release of the album, provided everything goes smoothly.

4. On the EP you covered the “Epic Of Gilgamesh” and prehistoric bull cults, can you tell us a little bit more about your interest in these topics?

Right, the song “Ur-Veneration” puts into narrative bull cults from the Stone Age, while “Non-Domestication: Fall Of Gilgamesh” covers a mythological tale from the Babylonian “Epic Of Gilgamesh”, titled “Gilgamesh and the bull of heaven”.

Before I get to our interest in it and go into the conceptual background, it is important for me to say that both songs do not reproduce original evidence though. There actually is not a lot of evidence of prehistoric bull cults, but this subject seemed so interesting to us that we could not resist the appeal of a lyrical interpretation. In the other case we even used original lines from the “Epic Of Gilgamesh”, but tell a completely different story. Our figure of the bull of heaven rebels against its divine rulers, no longer allows itself to be tied up by their web of intrigue and power, and throws off the yoke of their oppression.

This may already give a first idea why we are interested in these topics. We have transformed an old tale of enslavement, exploitation and lawlessness unto death into a narrative of liberation from our (own) chains that is still relevant now and here. This myth from the past travels as a ‘rebel story’ into the present, offering a glimpse even into the future. It is universalized and expresses an emancipatory striving. I said that our music is about other forms of living and becoming together. It is a search for a different conception of human being and being human. Further, it is a formation against post-industrial functionalism, against belief in progress and supposed civilization. A post-modern motivated ‘back to the roots’ in the sense of a ‘back to the future’: We overcome the limits of time, look back from the present, into the past, and ahead into and for the future – without getting stuck in the past.

This approach feeds our humanimalistic perspective, and the other way around. Behind this lies the desire for the supposedly alien, animalistic other: which is nevertheless always profoundly our own. Our basic premise is to understand humans as – primarily and in the most positive way – animal beings, and thus, at its essence, to explore, proclaim and worship the bestia or beast in man. We set this against a widespread image that devalues inhumane behavior as animalistic. And we turn this image around by welcoming the animal in humans.

Bull cults, or cultural engagements with cow and bull, appear again and again in different cultures in the mythological explanations of the world. This of course has a historical basis: Encounters with bull and cow are among the most important early human-animal relations. As we became aware of these things rather by chance, they would not let us go and quite organically became ‘our field’.

We implement this concept in our songs primarily in stories that often have a concrete starting point within literary history, such as the “Epic Of Gilgamesh”. Overall, myths and mythologies, including later reinterpretations, have proven to be an interesting field of inspiration for us. We take the teachings they contain, take them apart, and put something new together on that basis, another piece of the puzzle of a strongly individualistic and, in our way, animalistic worldview.

5. According to the press release of the record labels bandcamp page you are also going to be exploring Greek, Egyptian, Roman, Indian Mythology, Ancient History and the literature of Dürrenmatt, how long have you been studying those subjects?

Your question concerns our first album that we are currently working on. By now we finished writing the music in its basics and are currently working on the details of the songs, the lyrics, and doing prerecordings. Lyrically, this album will explore some narrations from the fields you mentioned, as well as from Dürrenmatt, and probably other authors, right. Of course we will present you the reworked Bestialis versions of the subject matters once the album will be released.

Since it is me who has laid out our concept and writes our lyrics for the most part, your question is a personal one. I think tales, history and mythology have accompanied me almost all my life. More than that, story telling is to be human. When I was a child, my parents told and read stories to me, not only from a classical-humanistic educational canon, but also greek myths. I took books from them and elsewhere, and read more tales myself, when I grew older. A cultural curiosity was awakened, which, besides other factors, led me to study history and literary studies. The tools and methods I learned give me the access to the topics that interest me, that I like to have. However, in terms of content, it is all a kind of self-study. And everybody can do so, but I think its easier and gets more direction, when you learn to use some methods – which everybody can do as well.

I have been doing this in my personal life for a long time, but it is the same procedure with Bestialis and has a great influence on what we do as a band. I do not see myself as an expert – but who needs experts? Over the years the picture naturally expands, the approach becomes more differentiated and the hunger for stories still continues to grow.

6. What is the meaning and inspiration behind the name “Bestialis”? 

We have chosen this name because Bestialis is dealing with the bestia or beast in man. ‘Bestialis’ is a latin word, which means: bestial/beastlike, animallike, wild like animals. When we were looking for a name back in 2012, we thought about it and researched for a while, before we came across this. And since a name and logo always carry meaning, in other words stand for something, we found ‘Bestialis’ suiting us. Of course we still feel that this represents us and our concept well.

7. Can you tell us a little bit more about the artwork that is presented on the EP cover?

The cover artwork shows a circle of figures grouped around a piled up fire against the background of a forest silhouette and the night sky with a dark moon and the constellation of Taurus. One of these figures in ritual garb holds a shaman drum and a mallet, also wearing a mask with horns. The scenery is a visualization of my imagination of an ancient bull cult ceremony in the wild and therefore an iconic sign and depiction of the musical heart of “Ritus”, which is “Ur-Veneration”.

The 12″ vinyl edition features more than the cover artwork: There is another illustration on the inside of the cover that refers to “Non-Domestication: Fall Of Gilgamesh”. We printed the lyrics too and of course there is a backcover. Special feature of the vinyl edition is the screen print on the vinyl B-side, again a ritual scenery, but more personal, more intimate than the one on the cover. Technically, it is a digital rework of a copper engraving (artist and title of the original n/a).

I did the complete artwork for the EP myself under the name Lastaurus Logo/Artwork Design. It is a mixture of hand drawings and digital drawing and design. Everything was screen printed in the end, so this is hand-made work. And well, we are very happy with the result. All the better that other people seem to like it, too.

8. Currently there are only 2 members in the band, are you open to expanding your line up or do you prefer to remain a duo?

Both of it is true someway. We will certainly continue the band as a duo. We have made the experience that we can work very well just the two of us and perhaps best in this way. We simply are in tune with each other, and we like to not have to be considerate of anyone else.

However, we prepare to play live on stage in the future, and therefore we will establish a live line up with additional session musicians, as said. It still feels a bit distant, but we are curious how this will succeed.

9. On a worldwide level how has the reaction been to your music by fans of black metal?

The reactions to “Ritus” are almost all positive, as far as we are aware. During the premiere by Black Metal Promotion there were many friendly comments, the video has now +6,5k views and a lot more thumbs up than down. In the other official and adorably detailed presentation (and a review) by No Clean Singing, we also received very kind words. The reviews so far are good to very good overall, and if there are ratings, we have mostly received 8/10 (or more). Most of the reviews, not all, come from Germany or the USA. Cvlt Nation made a short feature in which they spoke of our music in high terms.

There were also a lot of positive messages and comments on social media and orders. A fan from Mexico City made a small video in which he discusses the record. We still have to translate it, but of course we are very happy about all of this. Many thanks to all our supporters out there!

10. What can we expect musically once the full length is released?

Well, we have taken a musical path that we will not leave any time soon. The same goes for the concept and the lyrics, which will be continued on the album. But it is still at the beginning and everything else remains in the stars for now.

11. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

We listen to practically anything we can get our hands on, whether it is randomly confronted or specifically sought out, as long as it seems interesting. Accordingly, we have broad, diverse listening habits and are naturally inspired in turn by what we hear. This does not only concern black metal, just as Bestialis is beyond old school black metal, even though we are rooted in the traditions of this genre. Our ears are always open for new, progressive, and sometimes also a little crazy music in and beyond metal. We are also interested in folk, acoustic and world music.

I mention the following names to illustrate this a bit (in alphabetical order): Black Space Riders, Borknagar, Dark Fortress, Emma Ruth Rundle, Enslaved, Faran Ensemble, Helrunar, Khusugtun, Marcel Khalifé (the instrumentals foremost), Maud the Moth, Melechesh, Nàttsòl, Negură Bunget, Satyricon, Tenhi. We could add tons of artists, but we leave it at this cross section for now.

12. Before we wrap up this interview, do you have any final words or thoughts?

Thank you very much for the interview. I hope I was able to shed some light on Bestialis, the things we do, and the background behind it all. Thanks to the readers, thanks again to our supporters. Looking forward to hear your thoughts on the album once it is out. Bestiae sumus. And the hunted become hunters.

Source :

Wolvencrown/A Shadow of What Once Was/Clobber Records/2021 EP Review

lundi 25 janvier 2021 à 04:38


  Wolvencrown  are  a  band  from  the  United  Kingdom  that  plays  an  atmospheric  form  of  black  metal  and  this  is  a  review  of  their  2021  ep  "A  Shadow  Of  What  Once  Was"  which  will  be  released  in  February  by  Clobber  Records.

  A  very  dark  yet  heavy  sound  starts  off  the  ep  while  the  vocals  are  mostly  high  pitched  black  metal  screams.  At  times  the  music  also  gets  very  atmospheric  sounding  along  with  the  music  being  mostly  rooted  in  a  more  modern  style  and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard.

  When  tremolo  picking  is  utilized  it  gives  the  music  more  of  a  raw  feeling  while  the  riffs  also  add  in  a  decent  amount  of  melody.  Synths  can  also  be  heard  in  in  some  parts  of  the  tracks  and  also  gives  the  recording  more  of  an  epic  yet  old  school  vibe  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  and  the  closing  track  is  also  very  long  and  epic  in  length  and  is  also  an  instrumental.

  Wolvencrown  plays  a  style  of  black  metal  that  is  very  atmospheric  and  epic  sounding  with  the  use  of  synths.  The  production  sounds  very  professional  while  the  lyrics  cover  Paganism,  Nature  and  Ancient  Battle  themes.

  In  my  opinion  Wolvencrown  are  a  very  great  sounding  atmospheric  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "A  Shadow  of  What  Once  Was  Part  2".  8  out  of  10.   

Source :

Mountain Hermit/Silenced Minstrel/Dark Musings Of The Ages/Satanica Productions/2021 Split CD Review

lundi 25 janvier 2021 à 02:51


  This  is  a  review  of  a  split  album  between  Italy's  Mountain  Hermit  and  Malaysia's  Silenced  Minstrel  called  "Dark  Musings  Of  The  Ages"  which  was  released  by  Satanica  Productions  and  we  will  start  off  the  review  with  Mountain  Hermit  who  returns  with  his  atmospheric  style  of  black  metal.

  His  side  of  the  split  starts  out  with  some  horror  movie  style  keyboards  before  going  into  a  heavier  direction  which  also  introduces  high  pitched  black  metal  screams  onto  the  recording.  Growls  can  also be  heard  at  times  while  the  solos  and  leads  are  also  done  in  a  very  dark  style  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them. 

  At  times  the  music  also  gets  very  atmospheric  sounding  along  with  most  of  his  tracks  also  being  very  long  and  epic  in  length.  Clean  playing  can  also  be  heard  briefly  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast beats  can  be  heard  which  also  gives  the  recording  more  of  a  raw  feeling.

 All  of  the  drum  beats  also  being  programmed,  the  vocals  also  have  their  deep  and  grim  moments  and  his  side  of  the  split  closes  with  a  cover  of  Darkthrone's  "Transylvanian  Hunger"  a  song  that  has  been  covered  too  many  times  and  should  of  probably  picked  a  different  cover.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  misanthropy,  nihilism,  esotericism  and  mysticism  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Mountain  hermit  and  if  you  are  a  fan  of  atmospheric  black  metal,  you  should  check  out  his  side  of  the  split.  RECOMMENDED  TRACK  "Towers  In  the  Storm".

  Next  up  is  Silenced  Minstrel  a  solo  project  that  returns  with  an  occult  style  of  black  metal.

  His  side  of  the  split  starts  out  with  a  very  fast  and  raw  sound  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  done  in  mostly  an  angry  black  metal  style  while  the  riffs  also  add  in  a  decent  amount  of  melody  along  with  the  songs  also  mixing  in  a  decent  amount  of  90's  influences.

  Throughout  his  side  of  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  One  of  the  tracks  also  adds  in  a  brief  use  of  clean  playing  as  well  as  all  of  the  drum  beats  also  being  programmed.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  Occultism  and  Darkness  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Silenced  Minstrel  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  his  side  of  the  split.  RECOMMENDED  TRACK  "Ex  Lucis  Tenebres".  

  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  I  would  recommend  it  to  all  fans  of  atmospheric  and  occult  black  metal.  8  out  of  10.


Source :

Bacchus Mass Interview

dimanche 24 janvier 2021 à 05:33


1.For those that have never heard of you before, can you tell us a little bit about the band?

Bacchus Mass were formed in 2011 by Thyrsion (guitars, bass), and me Pyrfeas (vocals and lyrics) in order to create, what we like to call, true occult philosophical black metal art. Although we existed in the black metal scene for many years as individuals, in 2011 we decided to found a band that would be the missing link between the world of occult philosophy and the world of dark music in general.

2.In 2020 you have released a new album, musically how does it differ from the stuff you have released in the past?

The Occult Philosophy of War is still Bacchus Mass, but at the same time different from our previous effort "Astron Kynos". The new album is a bit harsher but still melodic, more guitar oriented with fewer symphonic parts amongst the songs. It's almost a concept album that is based on the idea that fear is the last frontier, that has to be defeated by the practitioner in order to "become" the God that He already is. And the source of all fears is of course the fear of death. Lyrically, there are songs as the "Philosopher and the Golden Blade" that is dedicated to the 24 hour death meditation of Socrates before the battle of Potidaia and the song " War Alchemy" that describes the total fearlessness of Socrates during the battle of Potidaia. The absence of fear regarding the upcoming loss of this human coil is the last step of the ladder towards  the alchemic procedure of becoming immortal via this world of pain...Other songs such as the "Julian's Last Ray"  talk about the life and death of the emperor Julian the Great (considered by the christians as an apostate) and his belief in the philosophical theory of the three Suns (see his work "Oration upon the Sovereign Sun") ...

3.This was also your first release since 2013, can you tell us a little bit more about what has been going on during that time frame?

During these years many songs were composed by the band, Furthermore, as individuals we had to keep our separate paths in this bleak world that people like to call life. I (Pyrfeas) gave emphasis to the hidden side of things and during these years I gave more than 70 lectures about philosophy and the occult tradition in many esoteric groups and secret societies. At the same time I kept on going with my esoteric practices, with more strength and clarity. On the other hand Thyrsion mastered his music skills by studying many forms of music including the classics and continued working as a sound engineer. Thyrsion is more Epicurean and Stoic in his way of life with some glimpses of Heracletean darkness...I' am more eclectic in my views and I give emphasis to the Orphic- Pythagorean Tradition, Plato, Neoplatonism, Vajrayana Buddhism, Advaita Vedanta, Shaivism of Kashmir and Dzjogzen among many other esoteric doctrines...

4.You refer to your music as being 'philosophical true occult black metal' can you tell us a little bit more about this term?

We are not musicians that pretend to be philosophers and occultists. We are  occultists-philosophers that like to create music as a form of art that propagates the true philosophical and occult tradition via black metal. There is too much pseudo-occult in the world these days. That's the main idea behind the term true occult philosophical black metal art. People in general  and more specific black metal listeners cannot discriminate between the false and the true. In the Advaita Vedanta philosophy of Hinduism the most important faculty of the seeker is Viveka (discrimination). The classic work Vivekachudamani of the great philosopher Sankaracharya  is a whole book that explains the importance of discrimination. If you cannot understand what is fake and what is authentic you cannot walk the esoteric path and you will be lost in the world of Maya. Discrimination is your spiritual compass. As Heinrich Kunrath used to say: "What good are torches, light or spectacles to those who will not see?"

5.A lot of your lyrics also touch on occultism, alchemy, sacred geometry, theurgy and science, can you tell us a little bit more about your interest in the esoteric arts?

We like to see the world through an eclectic view. All these sacred esoteric arts were created in order to help the man of flesh to wake up from this dream that people like to call life.  Every birth in this world of cells is death in the world of spirit. As Socrates once said in the  Platonic dialogue of "Gorgias", the living are the ones that are truly dead. Plato said that this mortal coil is the grave of the soul (ΣΩΜΑ ΣΗΜΑ) and Plato was just referring to the doctrines of the Orphic Tradition. True Alchemy is the transmutation from flesh to GO(L)D. The alchemical  V.I.T.R.I.O.L (Visita Interiora Terrae Rectificanto Invenies Occultum Lapidem) which means that by visiting the interior of the earth and by rectification you will discover the occult stone, in reality refers to the esoteric of the human body (earth), that is the true alchemic laboratory you use  in order to  rediscover the hidden gold-god inside the individual. There is no difference between true science and true magick. The  only difference is in the level of understanding.For example quantum physics is really close to the doctrines that were propagated  by  the occultists many centuries ago. The individual must find a way  to wake from the death of life. The soul lays buried inside a living corpse...true resurrection is illumination. In order to be immortal you have to die for this world of suffering and be reborn again...That is the main idea, find a path and walk it till the end...and remember there is no end and there is no beginning... the serpent eats it's tail... True Theurgy is ascendance. No true God will ever descend to this field of  tombs. You have to follow the ladder towards the Gods and the Eternal Unknown, but in order to walk among the Gods, you have to be a God yourself...

6.You also pay homage to the Greek Gods with your lyrics, can you tell us a little bit more about your interest in the mythology and history of your home country?

I believe that the spiritual  seeker has to know profoundly the tradition, mythology and philosophy of his home country. It makes no difference if he is a Native Indian, Japanese, Hindu or Chinese. He should study comparatively every other esoteric tradition in the world and choose the one that prefers the most or "walk" on his own path. The Hellenic twelve Gods are symbols, real entities,  and forces of nature at the same time. Some important works about the twelve Gods are Porphyry's "On Statues", Plato's "Cratylus" and Plutarch's "On Isis and Osiris", amongst many others. The study of mythology is the study of the inner man. Mythology is the acquirement of  gnosis via the study of the myth. Mythos,which in reality is Logos, is not a fairytale but a  profound truth expressed through allegorical meaning.  The one that  profoundly delves into the core of the myth learns a lot of things about philosophy, history, magick and the occult tradition in general. Specifically,  in the study of comparative religion, the Greek twelve Gods have a lot in common with the Hindu and the Egyptian Gods. In these three truly ancient and antediluvian esoteric traditions inheres the main core of the authentic occult tradition and of every other true doctrine amongst the centuries...

7.What is the meaning and inspiration behind the name 'Bacchus Mass'?

Bacchus Mass is the secret conjuration for the rites of the mystic Iacchus, who is the inner hidden God that is waiting to be revealed. The death of man is the birth of Iacchus. You have to die as a human being to be reborn as a God. That is why our song Bacchus is so important to us that we have decided to have it in both of our albums  in different versions. The mystic Iacchus was the true sacred God of the Eleusinian Mysteries before their decay in later years. Bacchus is the god of wine (spirit) in an exoteric sense but above all his is the god of true Spirit. Plato says in his Phaedro that as is said  in the mysteries ``many are the thyrsus bearers, but only few are the Mystics (Βάκχοι)" who are, as he interpreted the words, the true philosophers. Many seem to be initiated but only few are the truly initiated Mystics (Μύστες). Every initiation in reality is self-initiation. Nothing cannot be given if someone doesn't worth to have it. Everything must be gained. The true meaning of this phrase also answers your question about the terms true occult and philosophical. Many declare that they are initiated but they don't have a clue about the true occult philosophy. So the main motto of the band that no other band has ever utilized  is the one that says: "ΠΟΛΛΟΙ ΜΕΝ ΝΑΡΘΗΚΟΦΟΡΟΙ, ΒΑΚΧΟΙ ΔΕ ΤΕ ΠΑΥΡΟΙ".

8.Can you tell us a little bit more about the artwork that is presented on the new album cover?

First of all the logo and all the artwork of the band is designed by a Μystic that we like to call The Hermit, a very special individual and a true Αdept of the occult arts that dedicated her life in the search of the divine .In order to be more specific I have to say that the cover could be itself a whole book. The sacred tetraktys (1+2+3+4), the number 10 that the Pythagoreans usually called the source of the eternal nature (πηγή αενάου φύσεως) is depicted in the center of the picture. Number Ten is the number 1 that "stands by the side" of number zero. Zero is the number of Pan, which above all symbolises the three veils of negative existence in the pythagorean Kabbalah, that is the same as "The Unspeakable" (ΆΡΡΗΤΟΝ) of the neoplatonic philosopher Damascius and the Nirguna Brahman of the Vedantins. When zero turns to one we have the first manifestation of the unmanifested. Ten is the universe in its wholeness,it's  the day and the night of Brahma at the same time, the birth and the death of the worlds. The Head of the Medusa in the center of the holy tetraktys is a symbol of deterrence and protection  that safeguards the spiritual warrior from the possible dangers outwards and inwards. Also, Medusa's head is a symbol of severance of the human passions which  is also an emblem of the severance of mortality. The three swords symbolize the three worlds (physical, astral, spiritual) and the battle that has to be fought in each one of them from manhood to godhood. Every true  battle is fought only against one's self and that's why even in the esoteric Sufic tradition the word jihad (holy war), is not a war against others but against the mortal self of the seeker. That is a common knowledge amongst the mystics of The Sufis, that were so profoundly inspired and influenced by the neoplatonic tradition and the Vedanta. Beyond all the aforementioned is the universal spiral symbol of the everlasting evolution. Nothing is born and nothing dies. There is only progression from the bardo of "death" to the "bardo" of life until the circle will end and a new circle will begin...Nothing more should be revealed regarding the artwork...ΕΝ ΤΟ ΠΑΝ...

9.Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?

We are open on expanding the line up but after all this time we are a duo and there is a good reason regarding this. It's easy to find good musicians but it's almost impossible to find spiritual seekers  that will understand the graveness of our effort. 

10.Where do you see the band heading into musically during the future?

We have just begun writing new material. So it's too early to speak about this. Definitely it will be dark, bleak and more profound...

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Many different things and music styles. Everything that is dark and majestic it' a seed of inspiration to us. We like listening to (not as form of an influence though) bands like Devil Doll, Esoteric, Evoken, Dark Millenium, Phurpa, Darkthrone, Current 93, Beherit, The Protagonist, Sonne Hagal, Mekong Delta and classical composers like Scriabin and Mahler amongst many others...Nowadays, I like listening to the music of Radio Werewolf.

12.Before we wrap up this interview, do you have any final words or thoughts?

Thanks for the interview and the interesting questions. As it is written in The Pythagorean Golden Verses: " Oh Father Zeus, you would free them all from sufferings so great, if you could show them the Daemon that dwells within".


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Lighthouse/A Debut/2020 EP Review

samedi 23 janvier 2021 à 04:18


  Lighthouse  are  a  band  from  Germany  that  plays  a  very  modern  and  aggressive  of  black  metal  and  this  is  a  review  of  their  self  released  2020  ep  "A  Debut".

   A  very  dark  and  heavy  sound  starts  off  the  ep  before  going  into  a  very  fast  and r aw  musical  direction  which  also  uses  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  mostly  angry  sounding  black  metal  screams  while  the  first  track  is  also  very  long  and  epic  in  length  and  the  riffs  also  add  in  a  decent  amount  of  melody.

  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  yet  melodic  style  along  with  the music  also  being  very  heavily  rooted  in  the  modern  era  as  well  as  adding  in  a  touch  of  post  black  metal,  psychedelic  sounds  can  also  be  heard  on  the  closing  track.

  Lighthouse  plays  a  style  of  black  metal  that  is  very  aggressive  and  modern  sounding.  The  production  sounds  very  raw  and  heavy  while  the  lyrics  cover  emptiness,  solitude  and  the  human  mind.

  In  my  opinion  Lighthouse  are  a  very  great  sounding  modern  and  aggressive  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "Temple  Of  Nothingness".  8  out  of  10.

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