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Necrogosto Interview

vendredi 29 mars 2019 à 01:18
1.For those that have never heard of you before, can you tell us a little bit about the band?

B.B. Crazy: We are a four piece band from São Paulo necropolis city and we play Satanic Black Noise against religious, conservatives and hypocrite moralists.



2.So far you have released one demo, can you tell us a little bit more about the musical style you went for on the recording?

B.B. Crazy: The main influence of NECROGOSTO is the South American metal of death, bands like Sarcófago, Vulcano, Holocausto, Parabellum, Loucyfer, Expulser, Pentagram (CHL) are close to our black hearts, but we take worldwide influences too, like Beherit, Blasphemy, Impaled Nazarene, (early) Mayhem, Hellhammer, Von, Messiah, and many others that we listen on total nights in hell and give us the gasoline. We bring some fire and personal influences to explode into our first demo tape.



3.You also refer to your music as being 'satanic black noise', can you tell us a little bit more about this term?

B.B. Crazy: Satanic is because our lyrics theme. Black is a reference to Black Metal and Noise because we crush mass media melodies, our songs are total old school metal chaos!



4.Your lyrics also cover some satanic, occult and anti Christian themes, how would you describe your interest in the black arts?

B.B. Crazy: In my opinion, these themes are a way to evolve yourself, liberating individuals from the Christian morals that are inside the Brazilian society. Satanism is the path for freedom, a way to destroy the shit that Christianism and Catholicism are putting into Brazilian heads more than five centuries ago. Our lyrics deal too with pre-Columbian rites of evil.



5.What is the meaning and inspiration behind the name 'Necrogosto'?

B.B. Crazy: Necrogosto can be translated as “Necrotaste”, or the taste of death.



6.Can you tell us a little bit more about the artwork that is presented on the ep cover?

B.B. Crazy: The artwork was done by the artist and our friend 1Berto, that is a great tattoo artist too. He had a great understand about our concept, we really liked the cover, fits like a glove to our music! We want to show our disgusting about the Christian church and the European colonization, that destroyed Americans original cultures.



7.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

B.B. Crazy: We have already done a lot of cool gigs here in Brazil. I can tell about our performance at Belo Horizonte/Minas Gerais, land of our bigger influences and Cogumelo Records. We played “Destruição Nuclear” by Holocausto with Rodrigo Fuhrer on vocals. It was a great honour, since we are maniacs about Warfare Noise compilation. Deathkult Warfest at Santa Catarina was a blast too, really big stage, great sound equipment and share the stage with names as Amen Corner, Pentacrostic and Hellish Grave.



8.Do you have any touring or show plans for the future?

B.B. Crazy:  We have some scheduled shows for the future at our place and cities near São Paulo. Touring not yet, since our daily jobs consumes a lot of time and it is hard for all four demons escapes from the work at the same period of time. We are a new band, but on the next years we hope to desecrate other countries.



9.Recently Nuclear War! Now' re-issued your 2017 demo on cassette, can you tell us a little bit more about the newer version?

B.B. Crazy:  The NWN tape version was released last February on 300 copies. Really great work by this demonic label! Yosuke, the mastermind behind Nuclear War Now!, really liked our demo and is helping us to spread “Sudamerica” brutal fury to this fucked world.



10.On a worldwide level how has the reaction been to your music by fans of black and underground metal?

B.B. Crazy:  It is going really well for a total underground band that plays a really noisy type of music, many things that happened we don´t imagine to achieve in a so short time. People from all world write to us asking for stuff and information, some labels shows interest in our music, people help us giving some dollars on bandcamp, for me it´s a cool reaction, since we don´t have many expectations. NECROGOSTO isn´t something to achieve success, NECROGOSTO is all about blasphemy, intoxication and destruction. HAIL SATAN!



11.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?

B.B. Crazy:  The other musical projects of the band members are on hold now. We want to talk only about NECROGOSTO.



12.When can we expect a full length and also where do you see the band heading into musically during the future?

B.B. Crazy:  SATANIC BLACK NOISE FOREVER! You can expect a 12” EP until the end of the year, but more details can´t be revealed now, only the name: ANCESTRAL BESTIALITY.



13.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

B.B. Crazy: As I said on the second question, our main influences are Brazilian/Latin American bands from the 80´s and 90´s (Sarcófago, Insulter, Reencarnación, Holocausto, Mystifier, Necrobutcher, Chilean Pentagram, Vulcano,  among others) and other hordes, as Beherit, Blasphemy, early Mayhem, Maniac Butcher, Celtic Frost, etc…



Personally, hardcore/noisepunk intensity is a big influence for me as NECROGOSTO´s drummer, specially bands from Japan and Finland. I´m listening a lot nowadays to heavy metal and 70´s hard rock, besides the punk and extreme metal that I´m always listening to.



14.Before we wrap up this interview, do you have any final words or thoughts?

B.B. Crazy: Thanks for the interest in our music and thoughts. Cheers to Occult Black Metal Zine. Hope we can desecrate your lands someday. BAPHOMETIC NOISY CULT!


Source : http://occultblackmetalzine.blogspot.com/2019/03/necrogosto-interview.html


Frust/Recurring Dreams/2019 Full Length Review

jeudi 28 mars 2019 à 04:37

  Frust  are  a  solo  project  that  has  been  featured  before  in  this  zine  and  on  the  recording  plays  a  very  experimental  and  atmospheric  form  of  post  black  metal  and  this  is  a  review  of  his  self  released  2019  album  "Recurring  Dreams"  which  will  be  released  in  April.

  An  ambient  orientated  intro  starts  off  the  album  before  going  into  a  heavier  musical  direction.  Grim  sounding  black  metal  screams  can  be  heard  in  certain  sections  of  the  recording  while  the  riffs  also  add  in  a  decent  amount  of  melody  and  they  also  mix  experimental  elements  into  the  heavier  sections  of  the  music  at  times.

  Clean  playing  is  also  added  into  certain  sections  of  the  recording  and  they  also  expand  the  post  rock  influence  that  is  also  a  very  huge  part  of  the  music.When  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  melodic  style and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard.

  Some  of  the  tracks  are  all  instrumental  while  one  track  also  introduces  female  vocals  onto  the  recording,  the  music  is  a  lot  less  black  metal  influenced  then  the  previous  release  along  with  some  folk  music  elements  being  used  at  times  and  the  closing  track  is  very  long  and  epic  in  length.  The  production  sounds  very  professional  for  being  a  self  released  recording  while  the lyrics  cover  dark  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Frust  which  shows  him  going  into  a  different  musical  direction  and  if  you  are  a  fan  of  atmospheric  and  experimental  post  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Recurring  Dreams"  "Earth" "Call  Of  Madness"  and  "Verfall".  8  out  of  10.

https://frust-at.bandcamp.com
https://www.facebook.com/frust.at
https://www.youtube.com/channel/UCdfJ05IC4D-YFu1ulCAXqqw 


Source : http://occultblackmetalzine.blogspot.com/2019/03/frustrecurring-dreams2019-full-length.html


Mork Interview

jeudi 28 mars 2019 à 02:51
1.Can you give us an update on what has been going on with the band since the recording of the new album?

A: I have been doing interviews and other pre-release related stuff. I’ve been booking shows and we have been rehearsing the new stuff as a band. I am ecstatic to have been booked for what will be Mork’s first US shows, in August.

2.You have a new album coming out in April, musically how does it differ from the stuff you have released in the past?

A: Musically I guess it’s similar, in that it’s my handy-work. The overall feel and sound on this one is a bit colder and darker, though. I’ve had a pretty shitty couple of years, privately, that went on while creating this album. This has effected the outcome of the album.

3.What are some of the lyrical topics and subjects the band explores with the new album and also how would you describe your progress as songwriters over the years?

A: Lyrically the new album has both strength and weakness, in a psychological fashion. There’s sadness and hopelessness sprung out of my depressed state and tragic past two years. But, there are strength and will-power in this as well. As a songwriter I did hold back alot whilst making the first two albums, in regard to keeping the feel and atmosphere old school and primitive. By album four I really have found my place within my Mork creativity. I let myself loose more and let what happens, happen.

4.The band is from Norway a country that has had some legendary acts over the years, how would you say your musical style differs from the other bands of your homeland?

A: The difference is that this is me and my way of creating music. I am inspired by my past works, more than other bands in the same genre. However the building blocks of Black Metal is underneath it all.

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

A: I actually got to meet the artist, David Thierree, randomly. I was not aware of his past works or collaborations. But, when I got to see his skills and drawings, I sort of decided right away to work with him. 

The album-title and concept is something that I have had in the back of my head for about ten years. So, it all came together rather nicely. I expressed my concept to David and he delivered a spot on depiction of my  vision. The artwork shows a vast black gorge representing all thats dark and and overwhelming in life, and the naked weakling represents the hopelessness it provokes.

6.On the albums you record everything by yourself but use musicians for live performances, would you ever be open to work with a full line up in the studio?

A: Is Mork is a big part of me, I will keep it as is.

7.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

A: The highlights keep getting more frequent for us as a live unit. That’s the good thing about being able to play and experience everything together over time. It’s not only the shows that makes the experience, it’s the traveling that comes along with it. Like our trip to Izmir in Turkey, where we got to experience the city and culture as well as the great crowd during our show. We are lucky to have been able to endure several good trips. We are really looking forward to our first journey over to the United States, where we are playing Las Vegas, San Diego and Los Angeles later this year. Other highlights that come to mind is; Our show in Transylvania, our show at Tons Of Rock in Halden, Midgardsblot and Inferno Festival. Most shows are good for us.

8.Do you have any touring or show plans once the new album is released?

A: As mentioned we will do a short run in the US. We will play the Inferno during album-release. We are to appear at the Hellbotn Festival for the second time. And we have club shows, here and there. Mork has never been a band “on tour”, we mostly play one-offs. So, contact our booking and perhaps we’ll appear near you.

9.The last few albums have been released on Peaceville Records, are you happy with the support that they have given you so far?

A: As of today all Mork albums are on Peaceville. Mork has been a rapid upwards experience since the first album back in 2013 and Peaceville is yet another milestone on the way.

10.On a worldwide level how has the reaction been to your music by fans of black metal?

A: Feedback has been astonishing. I have to admit that I did not see this kind of “success” coming along, and this quick. Considering the band and music being quite “young”, being from 2004 and onwards, the reaction has been overwhelming. I am of course honored, even if I primarily make music to please non-other then myself first.

11.Where do you see the band heading into musically during the future?

A: Nothing is written in stone. But I am pretty sure the the four albums up to now will be the guideline for the future. I don’t see myself taking Mork too far away from what is.

12.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?

A: I am a kind of guy who does not dig around for new music. I stick to my old favs. Classic rock and metal from the 60’s up til mid 90’s. The influence is music I do enjoy, there’s no single band or track that makes me write a song. It’s more the fact that the creativity in itself is so rewarding that my songwriting is free flowing out of creative freedom. Not only Black Metal inspires, music in general, does.

13.Before we wrap up this interview, do you have any final words or thoughts?

A: I tip my hat and thank you for the attention. This last two years has been a living hellhole of tragedy for me, so the privilege of being able to process those feelings through this new album is a important fundament for my well being onwards. Hails to the supporters of Mork out there. Hope this album can captivate you as it did to me. Keep the black flame burning.


Source : http://occultblackmetalzine.blogspot.com/2019/03/mork-interview.html


Schattenfall Interview

mercredi 27 mars 2019 à 05:28
1.Can you give us an update on what has been going on with the band since the recording of the new album?

We started recording this album almost immediately after the release of Schatten in Schwarz. But during the recording there were some differences of opinions with our previous vocalist.
The search for a new vocalist took quite a lot of time, but fortunately Stefan Traunmüller accepted our invitation. Which resulted in a rather productive cooperation.

2.In March you have a new album coming out, musically how does it differ from the album you had released in 2017?

New album is full of experiments, in contrast to the album of 2017: clean vocals, female vocals, more instrumental tracks, samples, and more.

3.What are some of the lyrical topics and subjects the band has explored so far with the music?

On the “Melancholie des Seins” we used poems of German and Austrian poets. The main topics of album are loneliness, melancholy and autumn..

4.What is the meaning and inspiration behind the name 'Schattenfall'?

Creativity is always something unknown, the mystery of the manifestation of what was hidden in the shadows

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

All artwork was created by Valeria Metzker. She tried to convey the atmosphere of the album to the maximum - blurry images protruding from the darkness.

6.The band members live in Germany, Austria and Ukraine, how does this work out in the recording process/

It is not very difficult for us. Each works with his own part, making changes at different etaps. When we are satisfied with the result (never), we finish one track and going to the next one.

7.If the opportunity ever came would the band members be open to doing a live show or tour?

No idea, will see.

8.So far the band has worked with 'Wolfspell Records'and 'Redefining Darkness Records', do you feel both of these labels have been very helpful when it comes to getting your music out there heard?

Yes. I sincerely thank full them for it.

9.On a worldwide level how has the reaction been to your music by fans of atmospheric black metal?

To my surprise, the first album responded quite warmly. What of course pleases me.

10.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?

Now I am working on a dark electric / industrial metal project. In this band will be also vocal by Stefan Traunmüller. I have some ideas for the another projects, but now there are only a few home demo tracks.

11.Where do you see the band heading into musically during the future?

I am going to make my music more aggressive and fast, closer to the classic atmospheric black metal.

12.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?

I don’t think that it would be correct to say that something specific inspired me to this album. I listen to quite a lot of different music, and there is not so much black metal among it.

14.Before we wrap up this interview, do you have any final words or thoughts?

Thank you for the questions and for that you help to carry our shadows to the world!

Source : http://occultblackmetalzine.blogspot.com/2019/03/schattenfall-interview.html


Temple Koludra/Seven! Sirens! To A Lost Archetype/Transcending Obscurity Records/2019 CD Review

mercredi 27 mars 2019 à 04:38

  Temple  Koludra  are  a  band  from  Germany  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  goes  into  more  of  a  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2019  album  "Seven!  Sirens!  To  A  Lost  Archetype"  which  will  be  released  in  June  by  Transcending  Obscurity  Records.

  Ritualistic  soundscapes  start  off  the  album  before  going  into  a  very  fast  and  raw  musical  direction  which  also  uses  a  great  amount  of  tremolo  picking  and  blast  beats  which  also  gives  the  music  more  of  a  raw  feeling.  Vocals  are  mostly  grim  black  metal  screams  along  with  most  of  the  tracks  being  very  long  and  epic  in  length.

  A  decent  amount  of  dissonant  structures  can  also  be  heard  in  the  music  while  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts.  All  of  the  musical  instruments  have  a  very  powerful  sound  to  them  along  with  the  music  also  getting  very  atmospheric  sounding  at  times.

  Elements  of  death  metal  are  also  used  quite  a  bit  throughout  the  recording  as  well  as  the  riffs  also  bringing  in  a  decent  amount  of  dark  sounding  melodies.  Indian  style  instruments  are  also  added  into  some  parts  of  the  music  and  they  also  give  the  songs  more  of  an  ethnic  feeling  when  they  are  utilized.

  When  guitar  solos  and  leads  are utilized  they  are  done  in  a  very  dark  yet  technical  style  as  well  as  having  their  melodic  moments  while  the  riffs  also  add  in  a  decent  amount  of  melody  at  times.  Melodic  chants,  death  metal  growls  and  spoken  word  parts  can  also  be  heard  in  certain  sections  of  the  recording  and  only  small  touches  of  ambient  remain  from  their  previous  releases  and  as  the  album  progresses  clean  guitars  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  Indian  Spirituality  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Temple  Koludra  and  if  you  are  a  fan  of  black  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Trimurti"  "Namurupa"  and  "White  I  Trance".  8/5  out  of  10.

Official Video Stream

Official Bandcamp

Official Band Facebook

  

Source : http://occultblackmetalzine.blogspot.com/2019/03/temple-koludraseven-sirens-to-lost.html