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Wall Of Water/Self Titled/2016 Full Length Review

mercredi 27 avril 2016 à 04:47

  Wall  Of  Water  are  a  duo  from  New  jersey  that  plays  a  progressive  and  raw  mixture  of black  and  death  metal  and  this  is  a  review  of  their  self  titled  and  self  released  2016  album.

  A  very  dark,  heavy,  melodic  and  atmospheric  black  metal  sound  starts  off  the  album  along  with  some  epic  synths  in  the  background  before  going  into  more  of  a  fast  and  raw  direction  which  uses  high  pitched  screams,  tremolo  picking  and  blast  beats  which  also  gives  the  music  more  of  a  90's  second  wave  feeling.

  Throughout  the  recording  you  can  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  remain  true  to  a  raw  and  melodic  style  of  black  metal  and  the  vocals  also  get  very  grim  at  times  while  on  other  songs  they  bring  in  a  small  amount  of  suicidal  screams  and  acoustic  guitars  can  also  be  heard  in  certain  sections  of  the  recording.

  Death  metal  growls can  be  heard  in  certain  sections  of  the  recording  along  with  that  influence  also  being  mixed  in  the  guitar  riffing  and ambient  elements  are  also  added  into  some  of  the  cleaner  sections  of  the  songs  and  some  of  the  tracks  are  also  very  long  and  epic  in  length  and  the  clean  guitars  gives  the  songs  more  of  a  modern  and  progressive  feeling  and  there  is  also  a  brief  instrumental  and  a  few  seconds  of  spoken  word  samples  and  the  vocals  also get  more  angry  as  the  album  progresses  while  some  of  the  solos  add  in a   touch  of  post  black  metal  and  there  is  also  a  brief  use  of  violins  and  they  close  the  album  with  an  ambient  drone  instrumental.

  Wall  Of  Water  plays  a  style  of  black  metal  that  has  the  rawness,  aggression  and  melody  of  the  second  wave  while  also  mixing  in  death  metal  influences  and  some  of  the  more  modern  progressive  style  to  create  a  sound  of  their  own,  the  production  sounds  very  powerful  for  being  a  self  released  recording  while  the  lyrics  cover  dark,  occult  and  metaphysical  themes.

  In  my  opinion  Wall  Of  Water  are  a  very  great  sounding  progressive  black  metal  band  with  a touch  of  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should check  out  this  band..  RECOMMENDED  TRACKS  INCLUDE  "No  Moment  Of  Claity"  and  "Clairvoyance".  8/5  out  of 10.


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Afsky/Self Titled/2015 EP Review

mercredi 27 avril 2016 à 02:44

  Afsky  are  a solo  project  from  Denmark t hat  consists  of  a  member  from  Solbrund  and  plays  a  very  raw,  melodic  and  depressive  form  of  black  metal  and  this  is  a  review  of  his  self  titled  and  self  released  2016  ep.

  A  very  raw  sound  along  with  tremolo  picking  starts  off  the  album  along  with  some  drum  beats  a  few  seconds  later  that  also  takes  the  music  into  more  of  a  black  metal  direction  while  also  utilizing  blast  beats  at  times  and  the  vocals  that  are  used  in  the  music  are  grim  yet  high  pitched  depressive  screams.

  Throughout  the  recording  there  is  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  most  of  the  tracks  are  long  and  epic  in  length  while  the  rawness  is  more  close  to  the  90's  second  wave  style  and  the  solos  and  leads  are  done  in  more  of  a  melodic  fashion  and  after  awhile  acoustic  guitars  can  be  heard  in  certain  sections  of  the  recording  along  with  a  brief  use  of  violins  while  later  songs  show  more  melodies  being  added  into  the  music  and  all  of  the  musical  instruemnts  have  a  very powerful  sound  to  them  and  elements  of  doom  metal  and  rock  can  also  be  heard  at  times.   

  Afsky  plays  a  style  of  black  metal  that  is  very  raw  and  depressive  along  with  a  good  mixture  of  both  old  school  and  modern  elements,  the  production  sounds  very  dark  and  raw  while  the  lyrics  are  written  in  Danish  and  cover  dark  and  depressive  themes.

  In  my  opinion  Afsky  are  a  very  great  sounding  raw  and  depressive  black metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "Et  Sidste  Farvel".  8  out  of 10

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Avast Interview

lundi 25 avril 2016 à 22:38
1. For those that have never heard of you before, can you tell us a little bit about the band?

For sure. We are Avast from Norway, and we play atmospheric post-black metal. I guess we started out merely as an idea in the beginning of 2015. Hans Olaf (vocals and bass) and I (Trond, guitar) had just decided to put our previous band, Agenda, indefinitely on ice. However, we wanted to further expand and explore some of the more peripheral elements from that band. Agenda was a hardcore/crust band with some minor influences from both black metal and post-rock, and it was those elements we wanted to focus on with the new project. We asked Ørjan to join us on drums, and then we were good to go.

2.Recently you have released an ep, how would you describe the musical sound that is presented on the recording?

Fast, slow, heavy and atmospheric.

3.What are some of the lyrical topics and subjects the band explores with the music?

Well, we do not write your typical black metal lyrics, with occult and satanic themes. Because we originate from the punk and hardcore scene, our lyrics deal more with everyday matters and social issues, but in an artistic and poetic wrapping, meaning our lyrics are open for interpretation. Even though the three of us are all on the left-hand side of things, politically speaking, we do not classify ourselves as a political band, nor do we wish to be portrayed as such. Nevertheless, the full-length record we are currently writing is going to be a concept record, examining the dark aspects of human nature and the fall of civilization. Instead of drawing influences from specific social or political matters, which has been the case with most of my previous bands, we draw our lyrical influences from a broader perspective, including art, literature, philosophy and myths.

4.What is the meaning and inspiration behind the name 'Avast'?

Avast is an old nautical interjection that simply means “stop”. There really is no deep meaning behind it; we chose the name because we wanted a name that was short and simple, and that in no way was representative of the music we play. The last thing we wanted was a band name that sounded dark, evil or brutal, or that was pretentiously long.

5.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

So far, we have only played two shows, both in our hometown, Stavanger. We were supposed to do a third show in Oslo in March, but the other guys in the band both caught the flu the day before the show, forcing us to cancel at the eleventh hour. Anyways, the first show we played was at the Tunghørt (Norwegian for “hard of hearing”) festival together with Totem Skin, Ampmandens Døtre and Timeworn, to mention a few. What was cool about that show was that no one had ever heard our music beforehand, and I don’t think the audience really knew what to expect, so I guess they were caught by surprise by both our music and our performance.

6.Do you have any touring or show plans for the future?

Yes, we do! We are planning a European tour with our Swedish crust-buddies in Myteri in October. Apart from that, we do not have any show plans.

7.Currently you are unsigned, are you looking for a label or have received any interest?

We are looking for labels who are willing work with us and release our music, but so far we haven’t really made an effort to make it happen. However, we have been contacted by a label that wants to release our music, but we’ll see how that goes. It’s too early to give any specific details.

8.On a worldwide level how has the feedback been to your music by fans of black and post metal?

We’ve received mostly positive feedback, but to be honest, I don’t really pay much attention to the feedback we receive, and I believe I am speaking for all of us when I say that. Not that we don’t care about the positive feedback we receive, but we’ve reached a point in our lives where we want to create music for ourselves and not care what everyone else thinks. If people like it, that’s great, and if people don’t, well, then there’s really nothing we can do about it.

9.When can we expect a full length and also where do you see the band heading into musically during the future?

A full length is currently being written and will hopefully be recorded towards the end of this year or the beginning of next year. So far I have written 5 or 6 songs for the upcoming record, which means that we have about 40 minutes of music ready to go. Where we are heading musically can best be described by the phrase “more of everything”, meaning that a full-length record will sound pretty similar to our first release, except there will be more black metal influences, more ambient influences, more blast beats and more slow parts.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

We listen to so much different music within the band, but I guess our main influences for this band are Darkthrone, Tragedy, ISIS and This Will Destroy You. As for what we listen to nowadays, I can only reply for myself, but Archivist, Deafheaven, Julien Baker, Thurm and Turnover are some of the bands/artists I listen to these days.

11.What are some of your non musical interests?

I’m a huge fan of storytelling, so I love to read books and watch movies. Recently I read some graphic novels by Alison Bechdel and Gene Luen Yang that were really great, and right now I’m reading a novel by Norwegian author Ingvar Ambjørnsen.

12.Before we wrap up this interview, do you have any final words or thoughts?

Thanks a lot for your profound interest in our music. We really appreciate it!


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Drought Interview

lundi 25 avril 2016 à 12:11
1.For those that have never heard of you before, can you tell us a little bit about the band?
Drought is an entity born in 2015 from the ashes of an older hardcore band, Curse this ocean. The only thing that changed is my entrance as singer and player of some noise/industrial texture that you can find inside our music.

2.Recently you have released an ep, how would you describe the musical sound that is presented on the recording?
“Rudra Bhakti” borns from a kind of “melting pot” about our different tastes in music but departs, of course, from our common interest in extreme metal, expecially black metal. We can describe the sound of our music as “experimental black metal”, but I would say that the experimentation is more recognizable in the structure of the songs than the sound. We tried to sound heavy and brutal through the deconstruction of a usual song, creating different “weaving” of riffs, patterns, walls of sound and trying to avoid the usual steps of a song's creation, in order to obtain a whirlwind sound

3.On the ep the lyrics deal a lot with yoga, tantra and eastern mysticism,can you tell us a little bit about your interest in this topic?
I developed the concept starting from my personal interest for both conceptual and practical side of eastern spiritual trainings, like Tantra meditation, yoga, hinduism and so on. I tried to convert the contents of spiritual practice and texts like Vijnanabhairava and Bhagavat Gita into a “dark” perspective. What I want to obtain basically is to unleash the big force chained by some spiritual practice into the music played with some of my closest friends. So the spiritual side of the concept can develop itself through the deep human relationship that bind us and the relentless force of the extreme music, which is our main common passion.

4.On the press release Nietzsche was mentioned as a part of the concept, how do you feel his philosophy which is more on the Western and somewhat atheistic side correspond with the philosophies and mysticism of the east?

Nietzsche is a kind of “translator” of the concept of Bodhisattva into something more “western-sided”. The atheism of Nietzsche was a kind of rationalistic structure, let's say, developed in comparison of the turbulence of “romantic” bourgeois irrationalism, the divergence between “dionysian and apollonian”. I always saw something really pragmatically “spiritual” in the nietzscheist ubermensch, something that could be really close to the tantric “reunification” between subject and object and done in the same way: destroying ignorance, and it's the concept of the “elevation” that we develop in our music and in our lyrics, but under a darker perspective. I have to say however that I did not properly thought about philosophy when I wrote my lyrics.
We would also clarify that, as well as the prussian philosopher and philologist, we don't have ANYTHING to do with any right-winged political tendency.

5.What is the meaning and inspiration behind the name 'Drought'?
We wanted a short and strong name, and we liked the apocalyptic concept hidden beneath the word Drought. Plus we take a great inspiration from the black metal band Deathspell Omega and the name of its last EP inspired us.

6.According to the press release the band is international and I tried to look up to see which countries the band members are from and found nothing, in what parts of the worlds do the band members live in?
The bass player has been living in London since years, I just moved to Berlin for a period but I live in our homeland, Sardinia, as well as the other three guys.

7.Are there any plans to expand into live shows during the future?
We will certainly build up a promotional tour for Rudra Bhakti, but it's too early to say exacly when.

8.The ep was released on Avantgarde Music, are you happy with the support they have given you so far?
Roberto is doing a great job and always took care about our ideas and our personal contributions to the packaging and graphic line.

9.On a worldwide level how has the feedback been to your music by fans of black metal?
It's too early to talk about that, because the EP isn't out yet. But I can say we're receiving positive messages and comments from all over the world

10.Where do you see the band heading into musically during the future?
Drought rises up from our deep friendship and our common will to play black metal putting inside the cauldron everything we can find interesting. These two drivers will somehow bring us somewhere, but it's a bit hard to say exactly where so far. We are working on the new album since the start of the year, let's see what we'll sort out.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
Everybody of us comes from slightly different backgrounds. For what concerns me, I can surely say that drone and industrial music have a big influence on my contribution in the building of riffs and noise patterns. My shouts are more influenced by black metal, expecially both Dead and Attila of Mayhem, of course in different ways, Mikko Aspa of Clandestine Blaze / Deathspell Omega (also for his power electronics project) and first things of Dissection, Watain and Funeral Mist. The old school so called “orthodox” black metal is somehow really influencial for me. Then the whole cascadian stuff, as well as the norwegian old school is a great model for all of us. I also take big influence from old crust/hardcore punk, as well as from some new-school reality, like Cursed or Trap Them, expecially for what concerns the bashing attitude and way to sing.
I personally totally worship canadian Blasphemy and some of the stuff deriving from their stuff, like some things of the new “cavernous black metal” scene like Antediluvian, Wrathprayer or some stuff of Swarth, just to name few.

12.What are some of your non musical interests?
Reading, writing, psychedelics, yoga practicism and other few. I personally focus lot of my life into music. 

13.Before we wrap up this interview, do you have any final words or thoughts?
Thank you for the kind interest in our band. Om.

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Zorormr Interview

samedi 23 avril 2016 à 23:07

1.Can you give us an update on what is going on with the musical project these days?

Right now I’m focusing on releasing “The Aftermath” EP in June. I will spend most of the time on promoting it preparing to record the next full length. I already recorded the demo version of it so by the end of the year I will be recording it, I guess…

2.You have a new ep coming out in June how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?

The EP has 4 tracks recorded in the same time and in the same studios that I “Corpus Hermeticum” in. So there will be no difference. The other two tracks are taken from both “IHS” and “Kval” recording sessions so they will feel pretty different. But that’s the whole point. To deliver an EP summarizing the first period of ZORORMR activity and giving me a sense of closure.

3.Your lyrics go very deep into the occult, can you tell us a little bit more about your interest in the dark arts and some of the philosophies and practices that mean the most to you?

I have studied the occult writings for years. I even got a PhD degree on occult German philosophy of Agrippa. With “Corpus Hermeticum” I incorporated my knowledge on the subject and combined it with some teachings of Saint Irenaeus who studied ancient occult sects of Setians and Ophites. Long story short my previous album was all about hermetic philosophy and was the most intellectual record I’ve done so far. But I can promise you that, the next one will be raw and physical as much as it gets (laugh).

4.Some of your lyrics also cover some of Lovecraft's writing's, do you feel that he opened a lot of gates with his writings and also kept secret what he knew about the occult?

After I read the “Call of Cthulhu” I was astonished by his writing. You could almost feel the New England’s fog on those pages (laugh). I’ve read a lot sci-fi and fantasy novels when I was a kid but the impact of Lovecraft was the most profound. And with the huge respect I do have for his work I decided to pay the homage to him when I have the chance. I consider ZORORMR to be one of the creatures that Lovecraft could come up with. The name is strange and the music is odd, so I hope he would be fond of that (laugh). 

5.This project was formed out of the ashes of a couple of dark ambient projects, what was the decision to put ambient behind and go for more of a black metal style?

It felt quite natural, actually. I always wanted to play extreme metal. Due to many factors I started writing my own music in the dark ambient genre. The transition to black metal was natural. With two full lengths and an EP I was tired of electronic music and wanted to do something different. And that’s how ZORORMR was born.

6.I have read that the band name means' southern snake, can you tell us a little bit more about your interest in the snake myths of different cultures?

My dark ambient project I.A. SERPENTOR was based on the concept of the “golden serpent”. And for ZORORMR, being the next step in my musical journey, I decided to continue that concept but on a different level.  For me the serpent is not only a mythological creature but also a metaphor for good and evil and the occult wisdom. It’s an universal symbol present in almost every culture of the world. Sometimes revolving around fertility sometimes underground in all those chthonic depictions. But I don’t want to sound boring and lecturing you about the naga Mucalinda. Let the fans figure it out for themselves.

7.So far a great amount of your music has been recorded solo, do you fell this gives you a little bit more room to be creative with your music?

At first I thought that I will have all the room that I need. Nobody whining about the rehearsals and so on… But after you release a few albums it doesn’t get any easier. The creative process is hard. There is nobody to back you up or say: “cut the crap, this sounds like shit” and so on. So with every new album it’s all about struggling with yourself.

8.I have read that you are looking for a a live line-up, what is going on with that these days?

Nothing. I tried a bunch of people but they didn’t take commitment to a live band very seriously, so I still don’t have the live line-up. I am open to it but now I just don’t have the time to think about it and do another round of “castings”. With the EP in production and new album in the works I try not to focus on playing live. But it’s not like I’m giving up. It needs more time, I guess…

9.On the 2015 you had a couple of quests on the recording, can you tell us a little bit more about who they where and their contributions?

I had the pleasure of working with the legendary Mike Wead from KING DIAMOND & MERCYFUL FATE & Hal from VADER. Mike pulled off one stunning lead in the title track and Hal did some weird vocals in “In the Mouth of Madness”. Icanraz from DEVILISH IMPRESSIONS recorded the drums for me and his bandmate Quazarre also recorded some fine leads. All of them contributed greatly and “Corpus Hermeticum” is what it is also thanks to them.

10.On a worldwide level how has the feedback been to your music by fans of black metal?

The reception was great. I got mostly positive reviews. Some people bitched about the fact that I had some leads, that I had some melody going on and I shouldn’t do that because it’s not the black metal way. But most of the reviewers heard what I intended to record: intense black metal. The fans of ZORORMR loved the record so in like six or seven months the 500 copies I had released were completely sold out.

11.Where do you see yourself heading into as a musician in the future?

Really? I try not to think much about the future. I live here and now. The older I get the more I realize how little time is left to write & record. I would like to do an album or two with ZORORMR and release some dark ambient stuff as well. But will it all happen? Only time will tell.

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Hard to name just few but I always considered myself to be a fan of classical metal of KING DIAMOND, JUDAS PRIEST and so on. I got hooked into black metal by LIMBONIC ART so I guess that band also inspired me in a way. Nowadays I’m listening to Polish bands like BATUSHKA, MGŁA, OUTRE. I loved the last AKHLYS album and TSJUDER of course!

13.Before we wrap up this interview, do you have any final words or thoughts?

Thank you for the interview and stay heavy my friends \m/

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