PROJET AUTOBLOG


OccultBlackMetalZine

Site original : OccultBlackMetalZine
⇐ retour index

Mise à jour

Mise à jour de la base de données, veuillez patienter...

Piarevaracien Interview

jeudi 23 juin 2016 à 14:50
1.Can you give us an update on what has been going on with the band since the recording and release of the new album?
1. We’ve been working on our next release. It is never stopping process because PIAREVARACIEN has got a lot of stuff to work with.   

2.In June you had released a new album, how would you describe the musical sound of the new recording and also how does it differ from the stuff you have released in the past?
2. We are satisfied with the sound on our new album «U Pošukach Pačatku Tych Šlachoŭ». We would say it became more clear and precise than it was on previous releases (excluding our experimental work «Spadčyna / Heritage») thanked to a new sound master we cooperate with.
The guitars sound deep and firm, but acoustic parts are also well readable. The bass and drums section sounds also stable and harshly – that’s what we like most if we talk about the sound.

3.In March you also recorded an album that was done in more of a folk music direction, how would you compare playing this style to the heavier style that you have played on most of the other releases?
3. To be precise, the album «Spadčyna / Heritage» was released in March, but it had been recorded much earlier. We planned the stuff on «Spadčyna / Heritage» for split with a folk-band from Lithuania, but it turned up later to be a separate experimental album.
Playing Metal is more usual to PIAREVARACIEN than playing Folk music, but recording of «Spadčyna / Heritage» was easier to us, because we just played instruments, the main accent was performed by guest singers. Nevertheless playing, composing and working on music of a different style was very interesting to us, so it was a great experience.

4.On the metal album the concept was about war while on the acoustic album the concept was about time and seasons, can you tell us a little bit more about the lyrical content of the newer music?
4. The lyrics of «U Pošukach Pačatku Tych Šlachoŭ» (translated as «Searching for the beginning of those ways») refer to a whole story and divided into 7 chapters. The story is dedicated to such topics as war, heroism, patriotism, nationalism, love and death, historical events that took place in our lands. It's devoted to a collective character of a soldier who depicts all perished people of all time. The story is represented as short descriptions in the booklet.

5.From 2012 up to 2016 there was no music being released, can you tell us a little bit more about what was going on during that time span?
5. For the past 4 years we have changed the line-up, played at some local gigs, worked on the stuff and recorded «Spadčyna / Heritage» and «U Pošukach Pačatku Tych Šlachoŭ» LP albums, recorded a cover version «Der Scharlachrote Tod» for ABSURD tribute (released in  2014) and recorded stuff for an unreleased yet 4-ways split.

6.Do you have any touring or show plans for the future?
6. Right now we are preparing our performance for a Pagan Festival in Lithuania «Menuo Juodaragis» which will be hold in August. We don’t play frequently, so after the festival we will focus on work in studio again.

7.The newer music was released on 'Crush The Desert Records' are you happy with the support that they have given you so far?
7. We have been working with «Crush The Desert» for a long time and they released our three albums for now:
«If no Sun» (2011)
«Spadčyna / Heritage» (2016)
«U Pošukach Pačatku Tych Šlachoŭ» (2016)

«Crush The Desert» helped us to record «If no Sun» and they make some artwork for our releases. We also satisfied with their attitude and we are of the same views concerning the modern world, which is also very important to us if we speak about a label to be released by.



8.Over the years a lot of your lyrics have covered 'Belarusian Paganism' which is not as well known as some of the other Slavic, Nordic or European cultures, do you feel a lot of the outside or political influences over the centuries have done a great amount of damage to the culture of your country?
8. Belarusian Paganism is not the main theme of our lyrics literally as one could think. But Paganism to us is Belarus, its Nature, its language, White culture, traditional family, our ambitions and goals, etc.
But on the other hand we believe that people must return to their roots. Any religion is an instrument to brainwash people’s mind, when Traditional belief is a thread which connects you and your ancestors both spiritually and physically.
While their religions tell them get on knees and watch their homelands dying infested by hordes of “refugees”, tolerant faggots, corrupted politicians and other freaks, only voice of blood will arouse White peoples’ conscience to confront that madness and take our lands back.

9.On a worldwide level how has the feedback been to your music by fans of black and pagan metal?
9. To be honest, we don’t know the situation very well, but we have some contacts with comrades from Russia, Ukraine, Serbia, France, Bulgaria, Poland, Hungary, Slovakia, Germany, Latvia, Lithuania, US, Indonesia… and we know that there are some people who like our music. Though we are not a well-known band at all. 

10.Do any of the band members also participate in any other bands or musical projects these days?
10. Yeah. Some members also play in other projects, but there’s nothing now to tell about indeed. PIAREVARACIEN is the main work place for us.

11.What direction do you want to take the band into musically on future releases?
11.We don’t want it to be of a certain direction and hope to make some experiments or mix it with some other styles in the future. We try not to make albums with the same sounding and musical style.

12.Are there any influences that you have brought into the newer music that you where not able to do with past releases?
12. We are not sure that there are any influences at all in our music now. Of course we have some sources of inspiration for writing our own music, and one of such sources is listening others’ music, but it doesn’t mean we will bring it in our own songs. We just play how we feel and that’s all we are able to bring here in our music.

13.Before we wrap up this interview do you have any final words or thoughts?
13. We are glad to have such an interesting conversation with you and hope your listeners enjoy it as well.
Stay strong, support our People worldwide, be worthy descendants of our European ancestors!

Source : http://occultblackmetalzine.blogspot.com/2016/06/piarevaracien-interview.html


Feign/Atlas/Into the Night Records/2016 CD Review

jeudi 23 juin 2016 à 14:40

  Maine's  solo  project  Feign  has  returned  with  a  new  album  that  continues  the  atmospheric  black  metal  sound  of  previous  recordings  and  this  is  a  review  of  his  2016  album  "Atlas"  which  will  be released  in  July  by  Into  The  Night  Records.

  Tragic  sounding  keyboards  start  off  the  album  and  after  the  intro  melodic  guitar  leads  along  with  more  atmospheric  elements  start  getting  added  into  the  recording  along  with  some  blast  beats  and  vocals  that  also  add  in  a  great  mixture  of  death  metal  growls  and  high  pitched  black  metal  screams  and  all  of  the  musical  instruments  sound  very  powerful.

  Throughout  the  recording  there  is  a  great  mixture  of  slow,  mid  paced  and fast  parts  and  you  can  also  hear  a  great  amount  of  post  black  metal  elements  throughout  the  recording  and  spoken  word  parts  can  also  be  heard  at  times and  when  clean  playing  along  with  acoustic  guitar  are  utilized  it  gives  the  music  a  progressive  feeling.

  Most  of  the  fast  riffs  also  use  a  great  amount  of  tremolo  picking  which also  gives  the  songs  more  of  a  raw  edge  and  there  are also  around  of  3 brief  instrumentals  while  the  vocal  tracks  stick to  more  of  a  heavier  direction  on  the  other  tracks  and  some  of  the  songs  are  also long  and  epic  in  length  and  one  song  also  brings  in  a  brief  use  of  female  vocals  while  the  bonus  track  brings  in  whispers.

  Feign  plays  a  style  of  black  metal  on  this  recording  that  is  very  raw,  melodic,  atmospheric  and  progressive  while  also  having  some  death  metal  influences,  the  production  sounds  very professional  while  the  lyrics  cover  metaphysical,  cosmos  and  esoteric  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Feign  and  if  you  are  a  fan  of  atmospheric black  metal  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Into  The  Celestial  Nothingness"  "When  the  World  Ends"  and  "Atlas".  8  out  of  10.

Source : http://occultblackmetalzine.blogspot.com/2016/06/feignatlasinto-night-records2016-cd.html


Deviser/Unspeakable Cults/Sleaszy Rider Records/1996 CD Re-Issue Review

jeudi 23 juin 2016 à 06:41

  Deviser  are  a  band  from  Greece  that  plays  a  very  melodic  and  atmospheric  style  of  Greek  black  metal  and  this  is  a  review  of  their  1996  album  "Unspeakable  Cults"  which  was  re-issue  in  2016 by  Sleszy  Rider  Records.

  A  very  dark  and  heavy  sound  starts  off  the  album  along  with  some  atmospheric  synths  and  ritualistic  spoken  word  parts  and  when  the  music  speeds  up  it  uses  a  great  amount  of  tremolo  picking  and  blast  beats  which  gives  the  music  more  of  a  raw  feeling  and  high  pitched  black  metal  screams  are  added  onto  the  recording.

  All  of  the  musical  instruments  on  the  recording  have  a  very  powerful  sound  to  them  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid paced  and  fast  parts  and  clean  singing  female  vocals  can  also  be  heard  in  certain  sections  of  the  recording  as  well  as  a brief  use  of  growls  and  some  songs  also  bring  in  a  small  amount  of  clean  playing  while  some  riffs  also  bring  in  a  touch  of  thrash  and  they  also  bring  in  an  instrumental  track  before  returning  back  to vocal  songs  and  whispers  can  also  be  heard  briefly  and  they  close  the  album  with  an  acoustic  outro. 

  Deviser  plays  a  style  of  black  metal  on  this  recording t hat was  very  raw,  atmospheric  and  melodic  in  the  traditional  Greek  tradition,  the  production  sounds  very  powerful  for  the  era  it  was  recorded  while  the  lyrics  cover  abstract,  divine,  other  worlds,  Lovecraft,  Occultism,  and  Anti  Religion  themes. 

  In  my  opinion  Deviser  are  a  very  great  sounding  raw,  melodic  and  atmospheric,  occult  Greek  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  re-issue.  RECOMMENDED  TRACKS  INCLUDE  "Darkness  Incarnate"  "The  Rape  Of  Holiness"  "The  Fore  Burning  Bright"  and  "Forbidden  Knowledge".  8  out  of  10. 

Source : http://occultblackmetalzine.blogspot.com/2016/06/deviserunspeakable-cultssleaszy-rider.html


Worm/Nights In Hell/2016 Cassette Review

mercredi 22 juin 2016 à 06:13

  Worm  are  a  duo  from  Florida  that  has  been  featured  before  in  this  zine  and  plays  a  very  raw  and  atmospheric  form  of  satanic/occult  black  metal  and  this  is  a  review  of  their  self  released  2016  demo  "Nights  In  Hell".

  A  very  dark and   lo-fi  black  metal  sound  starts  off  the  demo  along  with  some  drums  and  grim  yet  high  pitched  screams  and  the  solos  and  leads  bring  in  more  of  a  melodic  style  that  is  more  on  the  primitive  side  and  you  can  also  hear  a  great amount  of  90's  second  wave  influences  in  the  guitar  riffing.

  All  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  you  can  also  hear  some  melodies  in  the  guitar  riffing  at  times and  some  songs  also  bring  in  a  small  amount  of  atmospheric  synths  and  there  is  also  a  brief  use  of  melodic  singing  while  the  whole  album  also  brings  in  a  great  amount  of  diversity.

  At  times  the  music  sounds  very  ritualistic  while  a  couple  of  the  tracks  are  long  and  epic  in  length  and  on  later  tracks  the  synths  start  getting  more  diverse  and  when  the  music  finally  speeds  up  it  also  brings  in a  decent  amount  of  tremolo  picking  and  blast  beats  which  also  gives  the  music  more  of  a  raw  black  metal  feeling  and  a  couple  of  later  songs  also  brings  in  a  brief  use  of  acoustic  guitars  along  with  an  instrumental  and  as  the  album  progresses  the  vocals  start  bringing  in  more  depressive  elements.

  Worm  creates  a  black  metal  album  that  is  very  atmospheric  and  raw  while  also  being  very  experimental  and  ritualistic  at  the  same  time  which  also  gives  the  songs  a  lot  more  originality,  the  production  sounds  very  dark  and  raw  while  the  lyrics  cover  Satanism,  Occultism  and  darkness  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Worm  and  if  you  are  a  fan  of  raw,  atmospheric  and  ritualistic  satanic/occult black  metal,  you  should  check  out  this  cassette.  RECOMMENDED  TRACKS  INCLUDE  "Dark  Prophecy  Awaits"  "Hell  Knight"  "Holy  Forsaker"  and  "The  Haunting  Beneath  the  Firs".  8/5 out  of  10.

Source : http://occultblackmetalzine.blogspot.com/2016/06/wormnights-in-hell2016-cassette-review.html


Ashaena/Calea/Loud Rage Music/2016 CD Review

mercredi 22 juin 2016 à 04:33

  Ashaena  are  a  band  from  Romania  that  plays  a  pagan  form  of  black  metal  with  elements  of  folk  music  and  this  is  a  review  of  their  2016  album  "Caela"  which  was  released  by Loud  Rage  Music.

  A  very  dark  and  heavy  sound  starts  off  the  album  along  with  some  melodic  guitar  leads  and  after  a  few  seconds  grim  black  metal  screams  are  added  onto  the  recording  along  with  all  of t he  musical  instruments  sounding very  powerful  and  the  riffs  also  use  a  great  amount  of  melody  while  the  music  can  also  be  very  atmospheric  at  times.

  When  the  music  speeds  up  a  great  amount  of  blast  beats  and  tremolo  picking  can  be  heard  which  also  gives  the  music  more  of  a  raw  black  metal  feeling  and  clean  guitars  can  also  be  heard  in  certain  sections  of  the  recording  and  they  also  mix  in  a  lot  of  pagan  metal  elements  while  there  is  also  a  brief  use  of  death  metal  growls.

  Melodic  pagan  chanting  can  be  heard  in  the  music  at  times   and  when  acoustic  guitars  are  utilized  they bring  in  elements  of  folk  music  and  melodic  singing  can  also  be  heard  at  times  and  some  of  the  tracks  are  very  long  and  epic  in  length  and  as  the  album  progresses they  bring  in  an  instrumental  track  that  also  introduces  folk  instruments  onto  the  recording  while t he  remaining  songs  do  use  vocals.

  Ashaema  plays  a  musical  style  that  takes  and  atmospheric  form  of  black  metal  and  mixes  it  with  pagan  metal  and  some  folk  music  elements  to  create  something  very  original,  the  production  sounds  very  professional  while  the  lyrics  cover  Paganism,  Mythology,  Nature  and  Romanian  History  themes.

  In  my  opinion  Ashaema  are  a  very  great  sounding  pagan/black  metal band  with  elements  of  folk  music  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Tapae  87"  "Spirit-Sageata"  and  "Mos  Urs".  8  out  of  10.

Source : http://occultblackmetalzine.blogspot.com/2016/06/ashaenacalealoud-rage-music2016-cd.html